Thursday, May 13, 2010

social media in business conference - london May 21st


The Social Media in Business conferences are regular events for those who are interested in how social technologies and practices are changing how businesses communicate with their customers, employees and stakeholders.

The next event takes place on Friday 21st May at the PayPal UK headquarters in Richmond [map]. Just a few minutes leafy stroll from Richmond mainline station.

I'll be doing a talk in the afternoon session, attendees will also hear from Lloyd Davis (of Tuttle fame) and David Cushman (MD of 90:10 Group and author of The Power of the Network) amongst others.

Some tickets are still available from the Social Media in Business site.
I can offer a discount code for readers of this blog to use or share with your friends and associates.

Use the code: smibger for 25% off the ticket price.

If you are there and we've not met face to face come and say hello. Or simply heckle if you prefer.

Wednesday, May 12, 2010

service information


Tottenham Court Road Tube Station.
HT to @badgergravling @richjm @simoncollister

Monday, May 10, 2010

Age of Conversation 3 - available now



The third Age of Conversation volume is now available to buy.

Featuring contributions from over 170 leading marketing bloggers, including your truly, AoC3 broadly captures the shift of the social media from a set of hypothetical customer loyalty tools to their current place at the top table of marketing and advertising strategic and creative thinking.

I just reviewed my piece - 'It's ALL OUR TURF'- again having not really looked at it since it was written and was surprised at the pointyness and venom unleashed...

'We have been unable to see the truth, because we have been fighting for ten square feet of ground.
OUR DIGITAL SILO, our little piece of turf.
That's CRAP, brothers!
The turf is ours by right, ... because it's ALL OUR TURF.'


Who are the Warriors? Indeed.

Buy Age of Conversation 3 at: Amazon

Wednesday, May 05, 2010

Jack the Twitter: Volume One


Sadly absent from the Turner Prize nominations for 2010 is the work of artist Marcus Brown.

In particular, Marcus' most recent creation Jack the T. Witter aka Jack the Twitter (sic) - his most fully formed narrative to date.

For those not familiar with Jack, a brief description.

'He’s been called a demon and a monster. He’s actually a psychotic Twitter stalker who likes Prokofiev and fried liver. If you are on twitter, he might just be following you and if he’s doing that, well, then you just might meet him in a dark, cold back alley of twitter.'

Jack the Twitter is a transmedia-esque narrative that 'tangles itself into the real life stories' of individuals using social networks such as twitter and foursquare to document their places and interactions.

This entanglement is then replayed in Jack's own grisly (to use an apt etymology) narrative which is published using those same real-time update tools, google maps (the darkest alleys of twitter) and Jack's own blog, Jack the Twitter.

Like that other reknowned 'Jack', his principle playgrounds are the east end streets of Ye Olde London Towne, and 'tis the 'prostitutes'of the twitterati whom have fixed his wrath.

'For twitter's whores are naught but bores especially in east London'

Marcus' storytelling uses the internet and it's myriad of tools as his medium, with his subject matter being essentially a critique of society and culture, as played out on the internet, akin to a mash-up of Adorno and Benjamin with a dash of Warholian detachment, the characters, in effect, describe how we are living today.

For the full story, so far, The Jack 'encounters' are now available as a limited edition 'souvenir' edition paperback book and digital download, entitled 'Jack the Twitter: Volume One' from Lulu.com.

I strongly advise you to purchase a copy lest Jack follow you out into the streets of London in order to avenge his terrible past and fulfil his prophecy...

Wednesday, April 28, 2010

where the creatives are...

Tuesday, April 27, 2010

vivienne westwood : disruptive innovation


'It's only the unpopular ideas, that are capable of slowly gaining a few disciples until it's then possible for them to have an effect...because they are original'

Vivienne Westwood, describing, in effect, the notion of disruptive innovation.
The process of creating ideas and things which, on the face of it, often have characteristics that the mass market may not appear to want, or in many cases will be fundamentally opposed to and possibly afraid of.

But doing it anyway.

Friday, April 23, 2010

how to do direct mail part 238 via @justinbasini

A lesson in how to turn a piece of direct mail in to a 'brand experience', in this clip courtesy of the Justin Basini Brand Marketing blog.



For me, one of the most powerful little touches is the hand written note that is is included. Fantastic.

Thursday, April 22, 2010

most of my heroes don't appear on no stamps


Standing in the Post Office the other day I noticed the poster on the wall from earlier this year announcing a Royal Mail collection of stamps featuring iconic British music album covers from the last 40 years.

In a bizzare moment of syncronicity, I was listening to some old Public Enemy tunes while hanging about.

In 'Fight the Power' Chuck D asserts;

'most of my heroes don't appear on no stamps'.

In the Royal mail's collection, of course, none of the featured albums are by black British artists, or even bands with any non-white members.

Surely there could have been a place for a Soul 2 Soul, Specials or even the super iconic first UB40 album?

The mind-numbingly mild Coldplay could make way, for starters.

6 habits of effective branding with a nod to jamie oliver


'Good evening, i'm from Essex, in case you couldn't tell.
My given name is Dickie, I come from Billericay and I'm doing very well'

Jamie Oliver's opening line from his TED Prize acceptance talk - 'I'm Jamie from Essex, I'm a chef' - echoing Essex's other favourite son, Ian Dury (un-selfconciously or not) but the embodiement of the base of contemporary successful branding.

In Chris Rojek's book on Cultural Studies he describes capitalism as having shifted into a new stage of 'cultural development in which branding, advertising and marketing link consumption with popular empowerment'.

We are witnessing this every day now, powered by the emergence of social technologies. There's plenty said about that elsewhere, so i'll leave that alone for a bit.

What I did find useful is what Rojek describes as the six key features of what he calls 'neat capitalism'. Comparing the approach of successful contemporary branding vs traditional capitalist 'corporations', of which the rise of Jamie's star (and others) is a case in point.

1. Informality
'I'm Jamie from Essex, I'm a chef'.
Jamie doesn't wear a suit, doesn't even describe himself as a 'business' person.
In fact he clearly distances himself from that world, in the same manner as Branson, Jobs st al before him.
For another example, just look at the current election lead-up and David Cameron, with his metaphorical and literal sleeves-rolled-up and Nick Clegg with the relaxed demeanour and open-neck shirt. Compared to that Gordon Brown's looking decidedly old-school.

2. Social Conscience
Conventional, traditional business and corporations are widely acknowledged as being at the root of many of the abuses of human rights, exploitation of labour and environmental damage amongst other things.
New branding challenges this and actively seeks to 'make a difference'.
Jamie's crusade to save lives through healthy diet is ,in effect, his 'enterprise'. The Food Revolution.
When Guy Kawasaki talks about 'make meaning first, the money will follow', this is what he is describing.

3. Innovation
We mentioned Branson earlier. Virgin being the poster child of innovation.
Their approach being to look for sectors dominated by jaded, inflexible 'business cultures' and wading in in with game changing approaches. Air Travel, Mobile, TV have all been shaken up by Virgin's disruptive methods.
Jamie, similarly, being almost transmedia personified. No touchpoint being left 'untouched'.

4. Listening to (and partnership with) consumers.
Transparency, value, service are the cornerstones. The biggest mistake traditional business is making is paying far too much attention to it's own processes and needs ergo failing to connect with their customers.
We've talked about the new customer buying journey and passive/active loyalty in this space before. Being present when consumers are 'reaching out' for information and responding.

5. Being Flexible.
Again, listening to the market and looking for branding opportunities.
If Jamie ridgedly stuck in 'product' mode he'd still be in the kitchen in his dad's pub. In 'brand' mode he is not confined by narrow product category definitions and, like Branson, can happily apply the brand to any sphere. Restaurants, books, accessories, TV, even wine.

6. Entertaining (or Fun)
Doing good, making a difference (and making money) can be an enjoyable thing to do.
Albeit within a 'market' context (so let's not kid ourselves that it's somehow 'revolutionary'). But never mind the business logic, a smile (as in a yawn) is infectious. Po-faced is not a good look.

Note: As a mere advertising douchebag, this is my simplistic interpretation, if you are after the concise socio-poitical lowdown, I suggest reading Rojek's book ;)

See what I did there? Informality.

Friday, April 16, 2010

boring is sexy?


In an age where we distrust financial institutions more than ever before, this bit of branding by Montana Credit Union has a refreshing honesty about it.

The intro copy on the boring is sexy website reads:

“When it comes to your money, too much excitement is the last thing you need, Montana 1st Credit Union has been prudently boring the socks off Missoula for more than 78 years.

Just ask your Grandpa. Since 1931, we’ve been quietly doing what’s right for our members without any high-roller excitement. No corporate jets, no million-dollar salaries. Jus
t great rates and outstanding member service, year after year after boring year.”

In ultra boring Courier too (for typography geeks).

Check out, some of their products:
- Plain Vanilla Auto Loans
- Mild-Mannered Mortgages
- Dull Home Equity Loans
- Safe & Stodgy Savings

Even the billboards mention nothing about the product, just the url.



They give away 'sensible' free ice-cream in the branches and even the strapline is disruptive: 'Boring since 1931.'

Informality, entertaining, innovative.
Top marks.

Take note Gordon Brown. You can still win this thing, mate.


Many thanks to thefinancialbrand blog.

Friday, April 09, 2010

couple of thoughts on malcolm mclaren


Regular visitors to these pages will know that Malcolm was a big hero of mine.
Just last week I posted about lessons on creating a movement, inspired by Malcolm, Bernie Rhodes and Jake Riviera.

One of my favourite Malcolm nuggets is from a clip in The Great Rock'n'Roll Swindle. Malcolm is facing the press who are outraged that a member of the Sex Pistols had reputededly thrown up in a bin at Heathrow Airport, to the horror of passers-by.

Malcolm replies:

'People are sick all the time.

In fact people in this country are sick and tired of constantly being told what to do'.


It's poignant that Malcolm should pass away the day after the Commons passed the Digital Economy bill.

Well, we are still sick and tired of being told what to do.

A bill spun as 'protecting the creative industries' by creating legislation that would prohibit digital sharing of copyrighted material, films and music principally.

One clause allows the government to order the blocking of 'locations on the internet which the court is satisfied has been, is being or is likely to be used for or in connection with an activity that infringes copyright'.

'Is likely' being the key phrase. Many people are convinced that this  in effect a smokescreen for another, more disturbing agenda around free speech and the emerging 'surveillance' economy.

Malcolm would have had something to say about both issues.

Subversive ideas being his stock in trade, and Piracy as a business model was a key theme of his way back in 1980 with his post-Pistols protege's Bow Wow Wow.

C30 C60 C90 Go! being the pre-ipod, walkman generation's riposte to the 'home taping is killing music' bleat from the music business establishment.

It didn't kill music, and neither will digital file sharing.

Goodbye Malcolm, thanks for everything.



Pic from timesonline

Wednesday, April 07, 2010

dr marten's a.p.o.c.a.l.y.p.s.e (not really)

Bootmaker of choice, Dr. Martens celebrate their 50th anniversary by referencing its roots in British youth subculture - principly those with a musical soundtrack - via a mostly online campaign '50 years of Dr Martens'.

Contemporary popsters cover classic tunes from each of the five decades of Doc’s history, the tracks and videos available to download at drmartens.com.

Among the bands/songs featured are The Noisettes doing Buzzcocks (no 'the', please) 'Ever Fallen in Love' and this spooky take on Sham's 'If The Kids are United' by psyche-soul combo The Duke Spirit.



Tom Philips, creative director at Exposure New York who developed the campaign says...

“It’s a brand that people have tended to adopt from different subcultures throughout its history. What we’re seeing today is a whole new generation of kids picking up on the brand and giving their own slant on what it means and how it can be worn.”

So much for that, but, in all honesty, the big questions are;

Where are Kasabian doing original bootboys Slade?
Or howabout Miko doing Elton's Pinball Wizard out of Tommy?
There's also a conspicuous lack of any nod to the two-tone movement (the most Doc clad of any of the subcultures. Brogues and smoothes too, remember?).
And I dunno who, but someone should really have done the Slaughter & the Dogs anthem 'Where have all the Bootboys Gone?'

A potentially very cool idea that falls a bit short by playing it too safe. 6/10

thanks to psfk.

to hell with poverty


Post-punk, neo-marxist-situationist, critical-theorist funksters Gang Of Four have taken a leaf out of Nine Inch Nails book for the launch of their new collection ‘Content’, due in the summer.

Through a deal with Pledge Music, the band are looking to involve fans in the process of recording and releasing the album by offering unique product packages and experiences, available via ‘pledges’.

These include include a limited edition, cassette walkman, hand decorated by the band, featuring the first ever GO4 live performance on one side of the tape and the new album on the other – available for a £175 pledge.

Or if you prefer, for £950 you can fly by helicopter with the band for their performance at the Glastonbury Festival in the summer.

There’s a number of other pledges including one-offs (a signed ‘damaged goods’ guitar), and other musicians can have Andy Gill do a GO4 remix of their own track for a snip at £1500.

A cursory understanding of behavioural economics and you’ll understand the ‘framing’ of the main ‘product’ – the £100 'Ultimate Can'. Inside the can is a copy of the new album, a book of artworks by Jon King and Andy Gill illustrating and analysing the last 40 years of world history, ticket to a private view of an exhibition of said artworks plus a phial of authentic GO4 blood. No sweat and tears included, unfortunately.
This is the one fans will gravitate towards, methinks.

It gets more interesting when we learn that there is also to be a ‘Pledgers Only’ website rewarding those who have contributed with exclusive videos, live recordings, demos, and previously unreleased songs from the GO4 archives.

And as we would expect, the band are putting your money where their mouth is by donating a share of any profits from pledges to human rights campaigners Amnesty International and Plan International who campaign for child rights and the end of child poverty.

GO4 are now another band who have realised that it’s possible to make art, make a living and make meaning in the new economy – with integrity, without compromising, by connecting directly with fans, offering unique co-creation opportunities, access and experiences, and connecting fans with each other. This is how ideas spread.

on innovation



No.6: “What are we all looking for?”
Professor's Wife: “Well, let's see. That gentleman over there. What do you think he's doing?”
No.6: “Tearing up a book.”
Professor's Wife: “He's creating a fresh concept. Construction arises out of the ashes of destruction. And that woman?”
No.6: “Standing on her head.”
Professor's Wife: “She's developing a new perspective.”

The Prisoner 'The General'

Thursday, April 01, 2010

domestic robocop [video] - augmented reality

This video, 'Augmented (hyper)Reality: Domestic Robocop' was created by Keitchi Matsuda a designer and film-maker student, from UCL in London.

A near future vision of the 'internet of things' thing.

His description:

'The latter half of the 20th century saw the built environment merged with media space, and architecture taking on new roles related to branding, image and consumerism. Augmented reality may recontextualise the functions of consumerism and architecture, and change in the way in which we operate within it.'



More Keitchi Matsuda at his website and vimeo.
Finders fee Contagious.

1% inspiration 99% perspiration - Nietzche marketing #35

Following on from yesterday's musings on intelligence/talent being a process that constantly evoves rather than a hardwired 'thing', as I'm ploughing through Shenk's book 'the genius is all of us' there seems to be a nugget on every page.

This is double surprising to me as it's a book principally about biology, genetics and cognitive science, yet somehow feeding the left brain with factual stuff seems to fire off triggers in the right brain, therefore helping me figure stuff out for work.

As if reading my mind the following snippet from Friedrich Nietzche then flowed off the page...

'Artists have a vested interest in our believing in the flash of revelation, the so-called inspiration...shining down from the heavens as a ray of grace.

In reality, the imagination of the good artist or thinker produces continuously good, mediocre and bad things, but his judgement, trained and sharpened to a fine point, rejects, selects, connects...All great artists and thinkers are great workers, indefatigable not only in inventing, but also in rejecting, sifting, transforming and ordering.'

intelligence is a process


Someone once said to me that process of beginning to understand about the actual nature of reality and how 'things' are, is more akin to a 'remembering' of stuff that's been parked in the corners of the mind than a 'learning' of new things.

This week I've stumbled across a few bits and bobs talking about epigenetics.

'the study of how the environment modifies the way genes are expressed.'

Epigenetics challenges the conventional view that DNA carries all our 'heritable information' and is not subject to influence of external effects or those effects being passed on to further generations.

In essence, a scientific explanation of an element of the buddhist concept of esho funi - oneness of self and the environment.

This extract from the NY Times review of David Shenk's book 'The genius in all of us' tickled me enough to get the book.

Shenk is an advocate of the epigenitics thinking.

'...we’ve tended to see genes as a set of straightforward instructions, a blueprint for constructing a person. Over the last 20 years, however, some scientists have begun to complicate that picture.

“It turns out that the genetic instructions themselves are influenced by other inputs,” Shenk writes. “Genes are constantly activated and deactivated by environmental stimuli, nutrition, hormones, nerve impulses and other genes.”

That means there can be no guaranteed genetic windfalls, or fixed genetic limits, bestowed at the moment of conception. Instead there is a continually unfolding interaction between our heredity and our world, a process that may be in some measure under our control.'


In other words, 'intelligence' is not a fixed thing, it's a process.

The first page of Shenk's book features the longer version of the William James nugget in the pic above.

'Compared with what we ought to be, we are only half awake. Our fires are damp, our drafts are checked. We are making use of only a small part of our physical and mental resources...stating the thing broadlt, the human individual lives far within his limits'.

Having said that, James reputedly claimed that it was only when he was under the influence of nitrous oxide that he was able to understand Hegel.

HT to Notes in Samsara

Wednesday, March 31, 2010

5 reasons why Diesel's 'be stupid' works

As part of its 'Be Stupid' idea for their spring/summer range, Diesel have launched a campaign featuring a 'be stupid' manifesto vid, interactive things to play with and a catalogue/music video, titled 'a hundred lovers'.

The highlight of the campaign, created by Anomaly, is the interactive catalogue featuring fans of the brand as models sourced through an online recruitment campaign and a song 'a hundred lovers' by Josep on the agency'sown record label.





Here's five reasons why I think this works pretty well..

An ownable brand idea.
It’s a bold statement - "Be Stupid" – but they take it beyond simply a ‘message’ into the realms of a manifesto, a call to arms even. ‘Stupid’ meaning to innovate, do the things smart people are afraid of. Which the elements of the 'campaign' (for want of a better word) do.

The oldest trick in the book (done well)
Creatively it’s classic, take two things that don’t immediately go together and create something new. This is a cornerstone of innovation, and formula 1+1=3 thinking (ie the whole being greater than the sum of it’s parts).
Catalogues are not exciting in themselves no matter how well designed, music videos are what they are. But a catalogue that IS music video, with the interactivity thrown in, is something interesting.

Yer oblique cultural references

Speaking of 1+1=3, the interactive ‘stupid’ word tool thing is conceptually straight out of Burroughs and Gysin’s 1960/70’s book The Third Mind, created using the ‘cut-up’ technique (later popularised by Bowie et al) ‘Cut-ups’ involve taking unrelated bits of text, literally cutting them up, and then rearranging the words to form new narratives. Nice one.

Connecting with fans.
By recognising that fans and their audience are far better messengers than paid for media, they make them the stars. Online auditions were held to find the stars of the video.
The idea will spread because it’s about ‘them’ (and Diesel, it’s a partnership).
This is the biggie.

More than just advertising.
Finding a musician from the audience, give them a platform, creating a record ‘label’, making the tune available for sale on iTunes. This will get downloaded and shared. The point is not to sell music, the point is to leverage another way in which brand ideas spread through networks.

Any more for any more?

Saturday, March 27, 2010

making a movement



Richard Dawkins first coined the word "meme" in his 1976 book The Selfish Gene. 'Meme' describes an idea, behaviour or style that spreads from person to person within a culture.

Most proto-memes go nowhere and are quickly forgotten, or not noticed at all. However, some memes find a tipping point of sorts - and spread - increasing in momentum as they go.


These ideas are often described as the ones that 'go critical'. 

Some memes needs to mutate to persevere, others can propagate by 'hitch-hiking' on the back of other ideas.

Pondering this I recall a story from Bernie Rhodes.

Around the same time that Dawkins was finalising 'The Selfish Gene', Rhodes was managing The Clash and meme-building in cahoots with Malcolm Mclaren (Sex Pistols) and Jake Riviera (the unsung 3rd man of the original UK punk scene, and manager of The Damned).

Between the three of them they realised that to create a movement - the 'meme' of punk rock - initial 'social proof' needed to be visible.

One band could not do it on their own, but 3 bands could hitch-hike with each other...

Do the arithmetic.

3 bands (Pistols, Clash, Damned) each with four members.
Say each band member has five 'friends', thats 60 people minimum.

So a triple header gig in a small strip joint in Soho has an instant crowd of 60 or so like-minded bods, so to any waif or stray that has wandered in off the street it immediately looks like 'something' is happening.

As more people decide to join in it's not a risk, if they 'get it' no reason not to join in now, and the codes, language, style is all there for them. And punk 'goes critical'.

As Pete Townsend noted (he was one such bystander who witnessed the early punk gigs, as a regular after-hours drinker in Soho's less salubrious spots).

'This is actually happening'.

Wednesday, March 24, 2010

hey ho let's (not) go


The brand that alledgedly coined the term 'sneakers' (the rubber soles faciltating 'sneaking' around) has launched a new campaign, called 'The Original Sneaker', based on reminding 'the kids' that Keds were the first, authentic sneaker.

Converse and possibly PF flyers (the favourite round these parts) may dispute that, the NYTimes covers that angle in this article.

To be fair Keds have been de riguer with certain trendy elements around London for the last few years, anyway

Keds attempt to bring the brand's history to life in a history section of their website that pulls together clips, stories and ads from bygone days up to the present.

With one notable and glaring exception, and perhaps their most most well known and loved patrons.

Messrs Joey, Johnny, Dee Dee and Tommy Ramone.


Beaten to the punch in that respect by Converse Chuck Taylor, and Vans, neither of which were worn by the 'brothers' until much later in the story.



HT brandchannel

Tuesday, March 23, 2010

abandoned cars


When the Dubai economy hit the skids there were tales of luxury motors abandoned at the airport as many of the people who had made a fast buck in the good times baled out when the squeeze happened, leaving behind anything that couldn't fit in the hold.

Fast forward to this clever bit of 'ambient' for Dubai Metro, the commuter train network:

'...a driverless, fully automated metro network in the United Arab Emirates city of Dubai, launched in September 2009.

Commuters were encouraged to leave their cars at home and take the train with a series of messages written on abandoned cars around Dubai: “I haven’t left Dubai, I just love taking the Metro”, “Metro 1, Car 0″, “Wash me if you want, I’m still taking the Metro”, “Stop writing on me, I’m taking the Metro”.'

The campaign, by Saatchi & Saatchi, Dubai, won the Grand Prix for Outdoor at the Dubai Lynx Awards 2010, though I can't help thinking that there could have been more participative juice squeezed out of this idea, incentivising real punters to join in.

Monday, March 22, 2010

age of conversation 3



Coming in mid-April is volume 3 of Age of Conversation, this year's edition is subtitled 'It's time to get busy'.

I managed to get it together to provide a chapter for this years edition, I'll preview that closer to release time.

I 'm proud to be between the same covers as the esteemed group of contributers listed below, and thanks to Drew McLellan and Gavin Heaton who put in the hard work in making it happen, again.

Adam Joseph-Priyanka Sachar-Mark Earls-Cory Coley-Christakos-Stefan Erschwendner-Paul Hebert-Jeff De Cagna-Thomas Clifford-Phil Gerbyshak-Jon Burg-Toby Bloomberg-Shambhu Neil Vineberg-Joseph Jaffe-Uwe Hook-Steve Roesler-Michael E. Rubin-anibal casso-Steve Woodruff-Steve Sponder-Becky Carroll-Tim Tyler-Chris Wilson-Beth Harte-Tinu Abayomi-Paul-Dan Schawbel-Carol Bodensteiner-Trey Pennington-David Weinfeld-Dan Sitter-Vanessa DiMauro-Ed Brenegar-David Zinger-Brett T. Macfarlane-Efrain Mendicuti-Deb Brown-Brian Reich-Gaurav Mishra-Dennis Deery-C.B. Whittemore-Gordon Whitehead-Heather Rast-Cam Beck-Hajj E. Flemings-Joan Endicott-Cathryn Hrudicka-Jeroen Verkroost-Karen D. Swim-Christopher Morris-Joe Pulizzi-Leah Otto-Corentin Monot-Karalee Evans-Leigh Durst-David Berkowitz-Kevin Jessop-Lesley Lambert-Duane Brown-Peter Korchnak-Mark Price-Dustin Jacobsen-Piet Wulleman-Mike Maddaloni-Ernie Mosteller-Scott Townsend-Nick Burcher-Frank Stiefler-Steve Olenski-John Rosen-Tim Jackson-Suzanne Hull-Len Kendall-Amber Naslund-Wayne Buckhanan-Mark McGuinness-Caroline Melberg-Andy Drish-Oleksandr Skorokhod-Claire Grinton-Angela Maiers-Paul Williams-Gary Cohen-Armando Alves-Gautam Ramdurai-B.J. Smith-Tamera Kremer-Eaon Pritchard-Brendan Tripp-Adelino de Almeida-Jacob Morgan-Casey Hibbard-Andy Hunter-Julian Cole-Debra Helwig-Anjali Ramachandran-Jye Smith-Drew McLellan-Craig Wilson-Karin Hermans-Emily Reed-David Petherick-Katie Harris-Gavin Heaton-Dennis Price-Mark Levy-George Jenkins-Doug Mitchell-Mark W. Schaefer-Helge Tenno-Douglas Hanna-Marshall Sponder-James Stevens-Ian Lurie-Ryan Hanser Jenny Meade -Jeff Larche-Sacha Tueni and Katherine Maher-David Svet-Jessica Hagy-Simon Payn-Joanne Austin-Olsen-Mark Avnet-Stanley Johnson-Marilyn Pratt-Mark Hancock Steve Kellogg-Michelle Beckham-Corbin-Michelle Chmielewski-Amy Mengel-Veronique Rabuteau-Peter Komendowski-Andrea Vascellari-Timothy L Johnson-Phil Osborne-Beth Wampler-Amy Jussel-Rick Liebling-Eric Brody-Arun Rajagopal-Dr Letitia Wright-Hugh de Winton-David Koopmans-Aki Spicer-Jeff Wallace-Don Frederiksen-Charles Sipe-Katie McIntyre-James G Lindberg Sandra Renshaw-David Reich-Lynae Johnson-Jasmin Tragas-Deborah Chaddock Brown-Mike O'Toole-Jeanne Dininni-Iqbal Mohammed-Morriss M. Partee-Katie Chatfield-Jeff Cutler-Pete Jones-Riku Vassinen-Jeff Garrison-Kevin Dugan-Tiphereth Gloria-Mike Sansone-Lori Magno-Valerie Simon-Nettie Hartsock-Mark Goren-Peter Salvitti

Friday, March 19, 2010

dm piece of the century: the cardboard record player



Very cool bit of direct mail from Canadian recording studios and sound designers GGRP and their agency GREY, who mailed this 100% cardboard record player and record to prospects and customers. It's exactly that - a fully functioning record player made from cardboard, and a record.

HT to the daily what

banned from the pubs

A funny ad for Carlton Draught, Australian beer from the Fosters stable. One of seven variants as part of the long running 'Made from Beer' campaign the ads have been deemed too risky for TV, principally for the multiple inferences to the man-bits (goolies, weenis etc), and were pulled by the client themselves shortly before they were due to air.

Following months of wrangling between agency, Melbourne's Clemenger BBDO, and client, Fosters have agreed to release the ads on the web.

Quote from Fosters:

'The internet is a sharper instrument than television, which hits a broad range of consumers...I believe our target market will go looking for Carlton Draught material online'

The Fosters spokesperson has described what many believe is the very near future of how advertising of this nature seen and distributed.

Consumers actively seeking out and spreading branded content, because they want to.

Although Carlton is one of Australias most popular beers, most likely drunk by many people who will now never see this content.

Fans who do seek out the ads are encouraged to rate the ad - and presumably persuade Fosters and agency to relent and place them on TV - via the website anyexcuse.com.au/

Tuesday, March 16, 2010

we'll be calling him old fireballs after tonight

Fair play to Russian teenager Andrey Ternovskiy who apparently invented tool de jour ChatRoulette after digging round the web looking for something that allowed random video chatting with strangers. When he couldn't find one he decided to make it himself.

He also has a nice stock of self-depreciating one-liners, as demonstrated in an interview in the NYTimes last week.

NYT: What do you think about all the press?
AT: Actually I haven’t read a single article. I don’t want to read them. I see a wall of text and I just look at the picture and click next...

NYT: So you have been meeting with investors?
AT: Well, for now, they are more interested in me, than I am in them.

Something tells me this kid is a teeny bit more switched on than he would have us believe, however.

People and tools, who knows where they will take it...
Like this piano man freestyling and improvising with whoever turns up.

Monday, March 15, 2010

ten commandments

Amusing and relevant pres by this guy Sean Boyle, Global planning director from JWT outlining his ten stop/start commandments to reboot the advertising industry.



A couple of key nuggets right from the off:

'The people who 'get it' who have vision, talent and intelligence are belittled, bullied and compromised by people who have no vision, no talent and who don't get it'.

and

' The ad business today takes 8 months to do one thing, we need to do 8 things in one month'.

All ten commandments are:

Start Telling The Truth
Stop The Politics
Start Having Fun Again
Stop Overthinking Things
Start Doing Something
Stop The Incessant Research
Start Doing Good
Stop Banging On About Digital
Start Ups Again Please
Stop Using Animals In Commercials

Finders fee to Mr John Dodds.

Friday, March 12, 2010

customer service #235

I don't usually pimp work in this space but this project we've developed for Direct line car insurance is something worth posting.

No one really talks about the claims process in the insurance industry and building trust in the sector is key.

The building blocks to achieving this are involving customers, better recognition of what they value and being more transparent.



Instead of burying the process in text based FAQ's at the back of the website where no-one will ever see them we created 4 videos which take the customer through the journey of a claims process, from what happens when they first call to register their claim, right through to the approved repair centre assessing the damage and getting them back on the road.

The 4 videos live on the Direct Line website and on Direct line's YouTube channel, so are open for commentary.

This is just the first step in an ongoing program we are working with the client on in order to:
1 - Improve claims experience by defining expectations
2 - Humanise a “faceless” process: build empathy, reassurance


A small step in our mission to try and create value in the new, non-linear customer buying journey.

All videos were shot in the Manchester call centre and repair centre and are presented by real staff.

Jaffe neatly sums up where we were coming from in this nugget from The Customer Service Manifesto.

Customer service is a front office strategic imperative that belongs at the same table as strategic planning, marketing communications, branding and advertising.

Word.

Wednesday, March 10, 2010

meaning #165



According to lore, the architect Sir Christopher Wren was visiting the site of St Pauls Cathedral to review work in progress and stopped to chat with three building workers performing the same task.

'What are you doing?' Sir Chris asks the workers.

First guy says 'I'm laying bricks'.

The second builder replies ' I'm just earning my wages'.

The third fella comes back with ' I'm helping to build a great cathedral'.

Three guys doing the same job, but only one of them is changing the world.

a herd of purple cows



CowParade is a public art event that has been held in over 50 cities around the world including Paris, Tokyo, London and New York, and this year I was lucky enough to see many of the pieces in Margaret River WA.

Life size cow sculptures are painted and decorated by artists and set on display in various spaces, sponsored by businesses.



Margaret River is of course famous as centre of the wine producing region in South West Australia and many of the cows appear in the grounds of the winerys and other businesses in the area.

Public art considerations often include site specificity, community involvement and collaboration and somehow it's more inclusive and accessable in it's nature than it's gallery based cousin.

I bought a few bottles of wine too, funnily enough.

Wednesday, March 03, 2010

economic and social achievements of workers


It was a public holiday here in Western Australia last Monday, Labour Day.

Labour Day is an annual holiday - celebrated in most countries of the world - that emerged out of the trade union movement, celebrating the economic and social achievements of workers.

One economic achievement being the ability of cafes and bars all across the WA region to add up to 15% public holiday tax onto the bill, and get away with it.

Thursday, February 25, 2010

back to basics

A fella I know who has started his own online business was telling me how exciting it was to get that first sale from that first customer.

He was also excited to tell me how his automated email response system sent out a pre-generated email thanking customer x for their purchase.

And would then send them a follow up mail in 30 days time with further product information.

I thought this was a seriously missed opportunity.
In 99% of cases, if you only have one customer surely this is a big chance to find out whether you can get permission to establish a bit of a relationship with them.
Who knows, they might even help you make a better product.

Even if you only have one customer, the customer doesn't know he's your only one.

Yes, I get that in some cases an impersonal automated response can signal big when small but it's very rare for that to be more benefitial. Even if you are big.

Thinking about this led me back to the seven rules to foster collaboration with customers, by Guy Kawasaki in 'Rules for Revolutionaries' and paraphrased here by me.

1. WAR IS OVER
Captive audiences, target customers, attacking markets etc.
We are NOT at war with our buyers, please.
And while we are at it, they are multi layered, multi faceted human beings not mindless 'consumers'.

2. GET IT FIXED
The product needs to be of a high enough quality (or at least have the potential) if your customers are going want to get involved with you.

3. FOCUS ON INDIVIDUALS
In a direct to customer situation the largest segment you are going to deal with is one person. This time it's personal.

4. TRANSACTION ACTION
You may have millions of transactions to think about but each customer only remembers their own.

5. KEEP ON KEEPIN' ON
Changes to a product or service should be made to make it better or easier for THE CUSTOMER to use, not the other way round.

6. GOOD MOANING
If customers are complaining it means they still give a shit.
Listen and act.

7. COLLABORATE
Create ways for customers to collaborate with you.
Customers will give a greater share of their wallet towards products or services they feel some ownership of.

The chap in the story now gets it, thankfully.

almost blue



Unfortunately missed Diana Krall who was in Perth last night at the open air stage on Kings Park, the magnificent space that overlooks the city.

Almost.

Tuesday, February 23, 2010

civic utility in WA



Here on the main streets of Perth the banners declare 'It's OK to be Alright'.

FREE busses ferrying city workers and tourists alike to and from any destination in the city centre is more than alright, rewarding positive behaviour rather than punishing failure to comply this helps to keep down congestion.

Something for Boris to think about back in London.

Along Perth's many beaches you will also find FREE barbeque stations. Gassed up and ready for anyone who wants to use them.

Instead of the costly effort of clearing up after disposable beach barbeques the local council simply provides the utility.
And the community maintains them.

I'm claiming civic utility as a catch all phrase for these type of initiatives. More to follow, no doubt.

By the way London. Did I mention it's 37 degrees out here today?

Friday, February 12, 2010

never get out of the shop



You've read the blog and digested the nuggets, now buy the the t-shirt.
Exclusive Boat merchandise now available in the shop.

Thursday, February 11, 2010

brit pop



Gerald Laing is one of the legends, albeit somewhat unsung, of the British pop art movement of the 1960's and is still producing provocative works to this day, at the ripe old age of 74.

This morning I was fortunate enough to get a private gander at the print retrospective that just opened at the Morton Metropolis gallery, next door to G towers.

I was also taken through the back to a secret room where a few original paintings are hanging, including 'Belshazzar's Feast' (above), and 'Domestic Perspective' (the one with the hoover).

In a strange coincidence the shadowy figure pictured under Amy's armpit is in fact gallery co-owner Raye Cosbert.

Also on display is one of the last prints in circulation of the perhaps one of Laing's best known works 'Brigitte Bardot'. This one will set you back £12,000, but some of the other prints start at a more affordable £500.



The show runs till 24 February, at Morton Metropolis at the top end of Berners St, W1.

Thanks to Serena and Zara for the tour.

moleeds



To be fair, I'm not sure if this talk by Charles Fleischer is straight up comedy or if the science is for real, but as a lesson in how to deliver a presentation on a pretty dry topic - mathematics, numerology and string theory - in an way that makes you feel you are being hustled in Times square, it's a winner.

In the advertising business, for anyone who's wrestled with how to engage with an 'audience' around something like insurance products this will resonate.

Intrigue, stories, metaphor, pictures and humour, these are some of the things that connect with human beings and spread. Facts come second.

Wednesday, February 10, 2010

you've been framed


The story of when TV host Johnny Carson interviewed the Girl Scout who sold the most cookies door to door one year, is recalled by Neuromaketing blog

During the interview Johnny asked: “What’s the secret to your success?”

The girl replied, “I just went to everyone’s house and said, ‘Can I have a $30,000 donation for the Girl Scouts?”

When they said ‘No,’ I said, ‘Would you at least buy a box of Girl Scout cookies?’


Reminds me of the down-and-out fella who stopped me in the street round near Liverpool St (at banker bonus time) and said

‘Can you spare £200 for a hooker and some cocaine, guv.’

I gave him £1 for a cup of coffee.

This is what neuromarketing calls a 'framing' strategy.
By floating the £200 number, a pound seems like nothing in relation.

Smart cookie.

Tuesday, February 09, 2010

21st century boy



A classic tv interview with Tony James of Sigue Sigue Sputnik from 1988.

Notice how no questions phase Tony, he know's exactly what Sputnik is about:

'If Elvis formed a band in 1990 (ie the future), this is that band'

With one eye on a transmedia future he also states that he wanted to create a band, from the outset, that worked on TV and film as well as in a rock'n'roll context.

'If the people look great, learning to play is easy, but you can't do it the other way round'

Tony understands the power of a great story (or myth).

'[An article] in the Herald Tribune about this Russian street gang...SIGUE SIGUE SPUTNIK..TJ calls everyone excited..brings home the piece torn out....somehow it captures the essence of the band..the idea of this fagin like group of money launderers in Moscow is soo right..the name makes a great story every time its printed.. like all great names.. so different.. even the Sputnik connection is great.. mans first object in space ..like some kind of man made god....'

'We sit around for weeks playing the demos in the shop at ear splitting volume, looking like stars and wearing our own T SHIRTS... it was our art, everyone special, individual.....it was my fanaticism, everything had to be special, exactly so... like making the band stay up till 3 in the morning the night before the first gig just to paint the flight cases red with the sss logo in Japanese along the side so we would look like a futuristic army arriving...!'


Then they built the music product to match the story.

Brand essence, brand personality, brand building, brand positioning, brand equity, are stuff we talk about every day, but in the end what connects is the brand story.

I doesn't even have to be true, as long as it's something that we want to believe.

Psycho maniac interblend, shoot it up.

Monday, February 08, 2010

essential purpose


Once you figure out what a brand 'stands for' it's much easier to figure out what to do with their advertising and marketing.

Sounds pretty straightforward but I'm always surprised at how often it's either ignored or not deemed to be that important.

Particularly when looking for a role to play within the social media and using the social technologies that connect people.

Without a clear purpose then it's just papering over the cracks or sprinkling hundreds and thousands on the top.

This purpose is often described as 'brand essence' and lives at the centre of some kind of onion type analogy.

I would argue that it's simpler than an an onion, and is more akin to the diagram above.

And anyway, often this 'brand essence' may mean something to the people creating the chart but means bugger-all to a punter.

Once a clear purpose is established it becomes a life state that feeds into the outward facing physical manifestation of the brand (the things it says and does) and also into the spritual aspect (how we feel about it).

Built on shoddy or questionable 'essential' qualities will manifest itself as a reflection of those qualities in the physical and 'spiritual' truth of the brand.

The good news is, fixing the inside first, the essential, will alter the other two by default.

It can start right now and the effects begin immediately.

Herein lies the potential for innovation (and the ROI)...

Thursday, February 04, 2010

superfly



Superfly is a crowd-sourced collaborative public art concept showcasing contributing artists and designers on posters in outdoor spaces nomally used for advertising. The first 'exhibition' took place in November last year on the streets of Dundee, in Scotland.

This weekend you can see a more conventional 'indoor' exhibition of that 'exhibition' as part of the Dundee Pop-up - a day of art events curated by creative social network Central Station.



It all gets a bit meta now as this weekends event is, in effect, being 'advertised' by means of posters containing similary crowd-sourced art in the same said outdoor 'advertising' spaces.

Yes, I'm still trying to figure it out too, but whatever it means, it's very interesting.

Superfly founder, Jon Gill, is no slouch on the illustration and graphic design front himself and is a friend of Never Get Out Of The Boat.

godzilla '56



You know the old story...boy meets girl, girl gets caught on cctv holding up bank with a shotgun and becomes overnight celebrity, boy loses girl.

That was the premise of this track recorded around 1988 by my band at the time, Godzilla '56. We were a punk inspired mash up of Ramones, Sigue Sigue Sputnik and the Ultra Magnetic MC's - under the influence of MDMA - and recorded this with my future bellboy records collaborator Chris Cowie at his studio in Aberdeen.

This track only turned up after Chris pinged me to say he had found a box of dat tapes at the back of his shed the other week.

I particularly like the 'channeling' of Scotty Moore for the guitar solo and the absurdly inept wah wah drop out before the 'arch' key shift at about 2:39.
Not to mention the awesome Godzillabass riff throughout.

Memories...

Monday, February 01, 2010

gurus of new marketing #979 : eric cantona


There have been better players, who've scored more goals, done more charity work and been better role models but when the late great George Best is said to have admitted he would he would have given up drinking to play alongside Eric Cantona, you know you are dealing with a true star.

Thirteen years since he last professionally kicked a ball (or a hooligan) and we are still talking about him.