Wednesday, May 20, 2009

influence vs popularity part 1

Without wishing to add to the never-ending noise about social network 'influence' ranking - as calculated by how many 'friends', connections one has and how many other users read and republish material - there needs to be a distinction between true influence and simply popularity.

Many self-annointed 'influencers' main point of influence seems to be the endless postings of tactics for gaining more followers on twitter. Whether the is any real value in amassing huge networks is moot. If this empire building does not propagate the spread of any purposeful idea then it's pretty meaningless.

The stamped of brands on to Twitter hoping to get celebrities to re-tweet (in the interests of 'influence') is really no different from any other bullshit celebrity endorsement in any other broadcast media (except it is 'free media' of course).

Having said that, here's a good, simple twitter influence idea from @Penguinbooks.
Penguin followers were encoraged to tweet 140char book summaries using the #shortpenguin tag and direct their tweets @penguinbooks.

Penguin then retweet the reviews to the whole network.




Why this is good...
Penguin facilitates discovery - the rest of the network see the short versions and maybe decide to investigate further - and connectivity through sharing - the potential for members of Penguin's network, ie accidental influencers, to connect with each other based on interest.

Tuesday, May 19, 2009

hungry like the wolf



Google are playing ball with Wolfram 'semantic' search thingy anyway...
Good spy by Scott in the office.

Monday, May 18, 2009

usability

I heard somewhere that here's only two questions about usability.
1. Did you get what you wanted?
2. If 'no' why not?

This weekend we went shopping down to Gunwharf Quay in Portsmouth.
This usually fills me with dread as any potential enjoyment is tempered by the two hours spent driving at 5mph round the multi story car park before we even get to the shops.

No more...

Some bright spark has made the car parking experience much more satisfying with the adittion of two simple usability measures.

fig. 1
On entering the facility a green or red light (X means full) at the side of each lane indicates how many (if any) spaces are available in said lane.
Thus heading off at the pass any pointless manouvering up and down lanes and the inevitable rage resulting from lurkers who fill up the lane waiting for spaces to become available.



fig. 2
Red (filled) or green (vacant) lights above each space indicate which spaces are free in the particular lane.
See a green light at the end? fill yer boots.



Simple bit of user friendly service positive.
Happy parkers = tills ringing in Baby gap et al.

Friday, May 15, 2009

VW YouTube mosaic


Google describes YouTube Mosaic as 'a visually impressive eye-catcher which improves the session length and exposure time of the brand channel's visitors. Therefore it makes Youtube a more attractive social media platform for brand advertisers.'

This new format has premiered on the VW branded channel to present the videos which were sent in by users for the German 'Volkswagen Movie Star Contest'.

The mosaic picture shows a red VW Golf which is build out of 400 videos (interpretations of classic moves - I've spotted Braveheart, When Harry met Sally and Terminator) that were uploaded by fans, and in which a VW car plays a leading or supporting part.

Nice bit of tech and ,of course, the now obligatory #connect with fans.

Special thanks to Michael Gross, for finder services and translating the German.

view from the trenches...


Splendid new in-office vista behind my desk courtesy of our Head of Art @trainhitsboy.
Shirt by Duffer, hair - model's own.


On the actual desk, books - model's own (apart from Chomsky, one day I'll give it back Sam...), Swearbox (au naturellement), daily reminder on why we are doing this courtesy of Gaping Void (I can't afford a print so photocopy will have to do), daily reminder of why I exist (pics of MrsP and my wee boy - blurred to protect the innocent). Emergency packet of Kool-aid also present.

I've shown you mine, now you show me yours...
David, Neil, Katy, Stan, Jamie?

If you can be arsed joining in, tag it 'view from the trenches'.

Thursday, May 14, 2009

10,000 hours to rock and roll

To reach the top of your game spend 10,000 hours honing your skills, according to Malcolm Gladwell.

The Dolls have done that (and some) - that's why they are, despite their bus pass qualifications, the kick-arsest most rock'n'rollest gang in town.

Careerist popsters take note.



Hey Jon Howard - you and me know it!

service positive

Remind me to quote spiritual rationalist, philosopher, musician, thoelogian and all round good egg, Albert Schweitzer, the next time i hear things like:
How do we exploit social media?
How do we leverage that community?
How do we target influencers?
Where is the ROI in utility and service?



"I don't know what your destiny will be, but one thing I do know: the only ones among you who will be really happy are those who have sought and found how to serve."

Wednesday, May 13, 2009

mike arauz's 5 rules for digital agencies

A new business model for digital agencies? We've been loving this article 'A new business model for digital agencies' by Mike Arauz from Undercurrent New York (seems he is a colleague of our other current fave rave, Bud Caddell).

Mike has encapsulated nicely some of the same things we have been talking about round Geronimo towers for a wee while to avoid the pitfalls of what David Armano described as 'The Wheel of Marketing Misfortune' and principally the dangers of 'death by big idea' and stuff like 'flashturbation'.

Here's his 5 point plan summarised:

Rule 1: If it can't be done quickly and cheaply, it's not an option.
...you should be able to launch up to 20 small digital experiences each week.

(me - lofty goal - but keep 'em 'on-point' and it's do-able)

Rule 2: Make a lot of pots.
'A ceramics professor comes in on the first day of class and divides the students into two sections. He tells one half of the class that their final grade will be based exclusively on the volume of their production; the more they make, the better their grade. The professor tells the other half of the class that they will be graded more traditionally, based solely on the quality of their best piece. At the end of the semester, the professor discovered that the students who were focused on making as many pots as possible also ended up creating the best pots, much better than the pots made by the students who spent all semester trying to create that one perfect pot.

(me - yep, i'll have that)

Rule 3: Sell ideas, not things.
When this agency pitches clients, you don't pitch one big idea, you pitch the first 10 small ideas...These ideas will each be designed to spread your message, attract the attention of your desired audience, build relationships, and compel action, if applicable
.
(me - wahey! - totally)

Rule 4: Everything launches, the client gets to buy the hits.
No one can predict which idea is going to become and internet sensation. And not every potential hit will get approved by the client's legal or PR department. These concerns don't matter because you're going to launch every good idea you come up with...If they don't want it, the agency can either take it for themselves or kill it.

(me - straight out of 'screw it let's do it' - spot on)

Rule 5: Phase 2 - Everything is iterative.
Work on all of these select projects using an agile process, making small changes as you go. There's no finish line, there's just one improvement after another.

(me - your mantra should be 'test and learn, test and learn, test and learn...')

Tuesday, May 12, 2009

connect with fans revisited #3

When Public Enemy launched on a unsuspecting UK raver generation with 'Fight the Power' at the height of the (3rd?) Summer of Love in 1989, for many white kids outside of the bigger cities (certainly us in the north of Scotland) it was the first 'black' music we felt a direct first hand connection with.

Prior to that moment 'black' music, for me anyway, was kinda a 2nd hand experience.
Reggae via the Clash, Tamla via the Beatles, Ska via the Specials etc.

With PE there was no white equivalent.

A great ironic comedy moment in the Neil Innes Beatles 'spoof' movie 'All You Need is Cash' (featuring the Rutles) happens when the documentary reporter visits the deep south to interview delta blues legend 'Blind' Lemon Pie.
The 'blues' is described as 'black music - played mainly by whites'.


Here's a great sound bite from PE's Chuck D, talking about the fan-driven online music project Sellaband in this morning's Metro.



Sellaband allows fans to invest and connect directly with bands/artists they want to support.
'With as little as $10.00 you can support an artist and help them on their way to the recording studio. By buying a ‘Part’ for $10.00 you become a ‘Believer’ in an artist and if they make it to the studio, this first Part will make sure you receive a Limited Edition of the album you helped create.'

Shit name but great initiative.

As Kevin Kelly says in 1000 fans 'They will buy the super deluxe re-issued hi-res box set of your stuff even though they have the low-res version.'
Chuck calls these fans 'believers'.

That led me to this excerpt from Hugh MacLeod's 'Hughtrain'....

'It's no longer just enough for people to believe that your product does what it says on the label. They want to believe in you and what you do. And they'll go elsewhere if they don't.
It's not enough for the customer to love your product. They have to love your process as well.'


Connecting with fans = believers.

Friday, May 08, 2009

marketing: helping people buy?


According to Greg Verdino's blog (from a few weeks back but I'm playing catch up in google reader...) an unconfirmed source claims '..in an early usage of the word, 'marketing' referred to a service that one person performed for another person'

So an offer to 'market for you' would mean exactly that. Go to the market and get your stuff for you. Or in todays terms 'I'm nipping out to the shops. Do you want anything?'

So marketing wasn't about helping a company sell. It was about helping people buy.

Greg explains:
'If you were particularly enterprising lad or lady you might have even found a way to earn your livelihood by marketing for others. Run out to the marketplace, pick up a few things for a few people, earn a pocketful of pence and -- voila -- you, my good sir, were a marketer.'

The way the web allows people to create and share content, thoughts, feelings and product/service reviews with friends and peers has resulted in a growing importance of word of mouth/mouse in the buying process, and its only going to get more important, as we all become 'marketers'.

To quote Seth:
'The future belongs to brands who can establish a foundation and process where fans can market to each other and ignite consumer networks.'

Figuring out how to reward this attention - from the customers who 'market' for you - then becomes a nice problem to have.

Footnote:
Bloke in the comments had a nice buddhist proverb to drop
'it is what we pay attention to that grows.'
- ie we should pay attention to customers first, because if they grow, we grow, our brand grows.

Thursday, May 07, 2009

gurus of new marketing #411 John Cage


Innovation nugget from 'avant-garde' composer, and pioneer of electronic music, John Cage.
Cage is probably most famous for his prepared piano pieces (ie its sound altered by placing objects inside the piano).

everybody smash up your seats...


This is the original shot taken by Pennie Smith of Paul Simenon, smashing his bass into the stage of New York's Palladium ballroom, that became the cover of The Clash 'London Calling' album (and certainly one of the most iconic images of the era)

Ray Lowry (Clash resident 'war artist' on tour) added the pink and green lettering in homage to the first Elvis RCA album and the linage was complete.
From Elvis via The Who (smashing instruments on stage) the dots were joined.

Marketing science bit:

By 1979 punk had become defined by the convention of angry 3 min songs played fast released on 7inch singles.

The Clash responded with a double LP (for the price of a single) mixing up jazz, reggae, rockabilly and soul. Not to mention a tasty line in Fedoras and 40's gangster chic.

An easier thing to do would have been to pander to the expectations of the audience and the record label and conform to the perceived idea of what punk was about.
By not doing that they defined the punk spirit even more.

And Sandinista was still to come...

Footnote: For some stupid reason I had it in my head that the shot came from one of the shows from legendary Bonds Casino residency, but that was '81, of course.
On a recent trip to NYC I made a pilgrimage to Bonds, just off of Times Square. It's still there but is now a pizza joint.


Thanks to Bud for the spy.

UPDATE: Just found The Clash YouTube channel.

Wednesday, May 06, 2009

vid: real life twitter


Another twitter related post. Ups my twitternoise to signal ratio a bit so I promise this will be the last for a while.
Again found by Sam.
via collegehumor.com

It don’t mean a thing if it don’t mean a thing. Part 1

Couple of things about advertising/marketing via digital ‘channels’.

This will be a series of posts, possibly 10 as it’s a good number (maybe less, maybe more, we’ll see how it goes).

For those of us immersed in digital based communications (apologies for catch-all term but I can’t think of anything better) it’s second nature to strategise for digital around terms like interaction, relevance, advocacy, permission and engagement.

For others digital simply means things like display advertising, microsites, SEM and pre/post roll ads (or if you are feeling a bit more adventurous chuck in ‘viral’ video).

Many digital agencies simply turn above the line creative into banners.
They are missing the big opportunity.
We are supposed to be the ones who live and breathe this stuff.

The truth is that their clients (advertisers) are looking for leadership from their agencies. Particularly in understanding how people are using digital media. Because it’s the users themselves who are responsible for much of the innovation we see online.

Lets be clear on one point.
Online advertising was invented to serve the needs of media owners and sellers in order to monetise their spaces.

We have a duty to our paying clients to do the right things for them to solve their business problems not to solve media owners business problems.

Friday, May 01, 2009

tweet tweet biiitch



Total genius by Andy Milonakis and Koool Kojak.
Trainspotter props to Sam.

http://twitter.com/andymilonakis
http://twitter.com/kooolkojak

no fun for swiftcover


Interested to read that the ASA have given the Metallic K.O. to Swiftcover's 'Get a life' car insurance ads featuring godfather of punk, Iggy Pop.

Whoever The Idiot was that said Blah Blah Blah to the clause in the insurers policies that stated driver cover was NOT available to drivers in the entertainment business was certainly a Naughty Little Doggie.

Swift cover have now been forced to Search and Destroy all the ad material. The creative director responsible has been told 'Your Pretty Face Is Going to Hell'.

On the upside, Swiftcover have subsequently implemented some New Values which now allow the insuring of musicians. The Stooges in the product development department can now Soldier on and no-one is going to Beat 'Em Up.

You see what I did there? <= that's plenty - Editor's voice

too cool for school


Thanks to the IDM for their kind invitation to partake of their diploma in interactive marketing. The envelope arrived today.

I wonder what they think they are going to teach me about?

It certainly won't be much about the importance of:
- Value of data
- Knowledge of customer,
- Relevance of message
or Permission.

Tuesday, April 28, 2009

conversation on a train...

I'm sat on the train looking through the bits of twitter I've missed during the night from the West coast USA lot and my Oz posse (and the early morning UK) on my BlackBerry. Bloke sat next to me see's what I'm doing and starts up a conversation...

Bloke: 'Is that Twitter?'
Me: 'Yeah, I'm just catching up with what's been going on while I was offline'
Bloke: 'Who have you got?'
Me: 'Eh?'
Bloke: 'Who are you following?'
Me: 'Oh, ok. A bunch of people I know plus some geeks, and advertising/marketing types, that kind of thing'
Bloke: 'Yeah but which celebrities? Stephen Fry, Jonathan Ross?'
Me: 'Erm....none. Hang on....Scoble?'
Bloke 'Who?'

Monday, April 27, 2009

growth category

Wednesday, April 22, 2009

digital connections : timeless marketing classics

Graeme Harrison has asked a few people to recommend their choice of the most important or influencial marketing related books for a series of posts at his blog digital connections.
Here's what i wrote...



Seth Godin: Purple Cow

I first encountered Seth Godin’s ‘Purple Cow’ around 2004, I think it had been out for a year or so. At the time I was working as Creative Director with an online gaming firm, I had a gut feeling that we were approaching both the design the marketing of our product from the wrong angle.

I was under pressure to conform the look and feel of our games to look similar to the other casinos and gaming sites and the press ads, online ads etc were just not delivering the traffic.

I knew we had to do something but was not sure what.

I was pointed to ‘Purple Cow’ by the manager of one of the local branches of a well know book retailer. He was a convert and had used the principles of Purple Cow to turn around the fortunes of his store the previous year. He had been voted store manager of the year at the company’s conference and also went on to receive industry wide recognition at the national book awards as bookseller of the year.

I’ll have some of that, I thought.

In a nutshell, Seth describes ‘Purple Cow’ as:

‘a manifesto for marketers who want to make a difference at their company by helping create products and services that are worth marketing in the first place. It is a plea for originality, for passion, guts, and daring. ..Today, the one sure way to fail is to be boring. Your one chance for success is to be remarkable."

Some say that Seth Godin can be too simplistic (the advertising plannersphere may look down it’s nose at him) I prefer to call him accessible.

Anyone can pick up this book and get something out of it., and it gives you a framework for judging the worth of an idea - simply ask yourself ‘why is this idea totally remarkable? Why would anyone bother to tell anyone else about it? Where is the ‘purple cow’ in this idea?

I’d like to be able to finish off the story by saying I used the cow to transform the gaming company from also-rans to world beaters. No such luck.

But reading this book was the first step for me in realising that it was not enough to just make pretty pictures, I had to get interested in the ‘reasons why’. I also realised that this was not going to happen in the job I was in so I quickly left (see another essential Seth title ‘The Dip’).

Tuesday, April 21, 2009

gurus of new marketing #239 - arsene wenger


Good one from the ever quotable 'le professor' in this mornings Metro...

Monday, April 20, 2009

i wish i was a nine inch nails fan



The latest in a long line of disruptive, innovative, 'connect-with-fans' initiatives from the nine inch nails people.

NiN:access is a simple iphone app which (amongst other things) not only connects NiN to their fans, but CONNECTS THEM TO EACH OTHER. It's location-based tech, via google earth, means fans in specific geographical areas can connect. See below. Sandwiches are a hot topic in post-grunge land ;) So what, it's up to them.


Found via chrisbrogan.com - he says 'Location plus peer-to-peer interactions = a huge win'.

We agree.

Now if only the music was not such a godawful racket.

Friday, April 17, 2009

behavioural targeting = spammers delight

Here’s why I am extremely skeptical over the idea that behavioural targeting is anything other than spammers flavour of the month.

Out of curiosity I attended the IDM seminar on ‘Emerging digital trends’ last night at The King’s Fund over in Cavendish Square.

The first speaker up was a chap called David Walmsley who is head of ecommerce for UK department store, John Lewis, his presso centered around behavioural targeting as the secret to their success with e-marketing.

The idea of behavioural targeting is that by collecting information about people’s activity online - web sites they visit, what they click, time spent, following their travels round the internet. etc - marketers can make decisions on how best to target advertising, email etc at them.

Aside from the issues of privacy (Phorm et al) - these have been well documented elsewhere, most notably by Sir Tim Berners-Lee - so I won’t go into them here - I doubt whether, for advertisers, behavioural targeting actually delivers any better than any other form of interruption based marketing.

What I found most ironic was that John Lewis’ brand is built solidly around it’s customer service. In the physical store the real-time human interaction with the staff is some of the finest to be had on the UK high streets. I’m a big fan and regular customer.

Would it not make sense for John Lewis to spend the time and money to connect that human interaction and service onto the online experience rather than spend on elaborate interruption robots?

David even admitted that at Lewis’ they have not figured out how to make that connection between customers in-store visits and online visits.
And their e-crm mechanic is still based on that old chestnut segmentation.

Even for high value big spending customers.

A real future trend in digital marketing is the seamless integration of people’s on and offline lives. Behavioural targeting does not address this.
It still adopts a brand to consumer messaging approach. One to many.
Ads is ads is ads. The key is permission.
And the object of permission is to build personal relationship, which leads to high value customers. Not just in value of spend but these people are the ones who will tell the story to others.

Traditional advertising holy grail was about showing the right message to the right person at the right time. Behavioural targeting is just another fangled technologically advanced trick to attempt the same thing. Except creepier.

If anything it actually accomplishes less than traditional broadcast advertising. On a very basic level, how does it know who is using the computer, for instance.
In any home there is likely to be more than one user.

In broader terms it does not know why I am visiting any given website.
I might spend a week researching underground Croatian hip hop for a magazine article I’m writing. While I'm being stalked what kind of ads are going to be flung at me? And for how long?

Where is the relevance there?
At least SEM is relatively contextual as it’s based on intention - I’m potentially in a funnel.

Bah, humbug.

Thursday, April 16, 2009

gurus of new marketing #238 - joe strummer (rip)


Classic Strummer-ism from circa 1976 as far as I can glean.

Wednesday, April 15, 2009

'advertising not dead' shocker

It's a popular misconception that the bbc does not feature advertising. Of course it does, it's just that it only advertises it's own products.

This advertising is effective because contextual and relevant - and it's also permission based.
Albeit the level of permission is low. At best it's at the second rung of the permission ladder - 'brand trust' - but mostly it's at that first level of 'situational' permission.

For the same reason the ads in Vogue magazine or GQ (or even something like Fisherman's Monthly or whatever) are permission based.
The ads are integral to the content - and in the case of fashion mags they are part of the reason these mags are bought in the first place.


If i'm watching Waterloo Road, a good bbc drama, I'm more than happy to see the trailer for the new series of Ashes to Ashes, for instance.
In fact I am actually interested, which is good news for them.

Bad news, though, for the advertisers on commercial networks because they are no nearer solving the permission challenge than they were on day one.

Thursday, April 09, 2009

self confidence #2 : henry ford


Some of his politics were a bit muddled but you can't argue with his one-liners.

Tuesday, April 07, 2009

Touchscreen Turntables


It was inevitable that touchscreen technology would eventually extend its searching tendrils into that most tactile of activities.

Rocking 'da' house on the wheels of steel.

As a club dj of some repute/infamy - back in the day - this was of particular interest.
My description above of said disc jockey-ness will indicate how far back in the day that was...

This digital touchscreen deck was premiered as part of the Picasso & His Collection exhibition at the Gallery of Modern Art (GoMA) of Brisbane, Australia.

'...the brilliance of the turntables lies in the linking of a platter taken from a Numark HDX deck with an intuitive touchscreen. As the platter spins, the user is able to manipulate a range of adjustable filters onscreen to build, rearrange and reinvent the MP3 songs on the drive. While relatively easy to pick up and play, the turntables also possess a steady learning curve, letting the more committed and ambitious users create works of intimidating aural dexterity.'

Hat-tip to Becky in the office who found it at coolhunter.

Pattie Maes - the 'Sixth Sense'



Ive watched this through 3 or 4 times and I'm still loving it.
Pattie Maes' TED talk on 'wearable technology' that enables 'interaction' with objects and environment. I'm supposing this is kinda connected to Kevin Kelly's 'internet of things'- another great clip from the TED archives.

Tuesday, March 31, 2009

out to lunch : mastercard


When neither your brand manager, ad agency or media agency recognise that - in your dumb press ad in today's Metro - 'Britain' does not mean 'England'...WORTHLESS.

Ok, lip-service paid to the Welsh, but that's all it is...

Thursday, March 26, 2009

we're in a viral!


Not much to say other than this is total subversive genius.

the average person...


Leonardo Da Vinci describes the average person as one who “looks without seeing, listens without hearing, touches without feeling, eats without tasting, moves without physical awareness, inhales without awareness of odor or fragrance, and talks without thinking'

Pretty much the definition of mediocrity.

As opposed to the outstanding boogie-tastic person who sees the possibility in everything, feels deep in their soul, walks Spanish down the hall, eats, breathes and drinks-in everything life and asks themselves 'is the world a better place because I opened my mouth and spoke.'

Ask yourself every day which one you are going to be.

Wednesday, March 25, 2009

garden of tweetdom - the origins of twitter



Genius from Marcus, as premiered at the Garden of Tweetdom last month.

Tuesday, March 24, 2009

permission marketing revisited

I enjoyed this thought provoking aricle; Why Advertising Is Failing On The Internet - by Eric Clemons, on techcrunch this week.
excerpt:
'Pushing a message at a potential customer when it has not been requested and when the consumer is in the midst of something else on the net, will fail as a major revenue source for most internet sites. This is particularly true when the consumer knows that the sponsor of the ad has paid to have this information, which was verified by no one, thrust at him.'

Clemons argues that advertising fails for 3 main reasons:

1. Consumers do not trust advertising
He quotes from Dan Ariely's Predictably Irrational - a firm fave at Boat HQ...
'messages attributed to a commercial source have much lower credibility and much lower impact on the perception of product quality than the same message attributed to [non-ad sources].

Neilson's assertion that 78% of us trust peer recommendations above all other media backs this up. I use that chart in just about every presentation.

2. Consumers do not want to view advertising
I'll come back to this point in a minute.

3. And mostly consumers do not need advertising
No arguments there.

As it goes, Ive been re-reading Seth Godin's Permission Marketing in the last week or so while developing some ideas for a client eCRM programme and these two strands seem to intertwine.

To recap on Seth's premise, and I paraphrase...

The effectiveness of marketing directly corresponds to the level of permission the customer has given to receive the communication.
The level of permission we have - Combined with knowledge of customer and relevance of messaging - allows us to deliver 'anticipated, personal and relevant' messages to people who 'actually want to receive them.'



We don't start by asking for sales at first connection. We earn the right, over time, by developing our knowledge of the customer and increasing the relevance of our communication.

3 Steps to leverage permission
1. Offer the customer an incentive/reward to opt-in
2. Using the attention offered by the customer, inform about your products/service and build a relationship.
3. Over time, leverage the permission to influence customer behavior.
Benefits

One of the key benefits of a permission approach is the low cost of getting information to the people who want to receive it. Email, RSS and social platforms mean we can treat customers as individuals, and it means we can let them choose what they receive and in which format.

It is more effective because the person is more receptive to marketing that they have chosen to participate with and more cost-efficient because the prospect has already identified themselves, and the data we have tells us know which level of permission we have to talk to them.

note: see Clemens' point above about 'push'.

Seth's Five Levels of Permission Marketing

1- Intravenous.
This is the ultimate level of permission. The brand who has this level of permission can make buying decisions on behalf of the customer.

2. - Personal relationships
When we have a personal relationship, we have an ongoing dialogue. We have permission to ask more personal questions, recommend other products, even offer products or services on ‘approval’

3. - Loyalty/Points.
Air-miles and Nectar points are examples of this level of permission People opt-in to these programs because of the benefits to them. They offer their personal data to allow us track their purchase history and to send them related offers and information.

4. - Brand trust.
This is the level of trust that traditional marketing aspires to. Brand trust is fickle however, and is hard to measure. You can use brand trust to create brand extensions, or cross sell other products.

5 . - Situation.
This is the most basic form of permission. A customer has initiated an interaction by purchasing a product or making an enquiry. Employees who deal with customers and prospects are the tool to use for situational permission eg ‘Do you want fries with that?’.

I've switched points 2 and 3. Since 1999 when Permission Marketing was first published I think the developments of the social web etc validates moving Personal relationships up the ladder.

So, in a Permission based programme every contact with the prospective customer, should seek to move them one step further up the ‘permission’ ladder.

In many of the subsequent writings following the publication of PM it has been alluded to that their still requires that first 'interruption' to kick start the journey up the permission ladder. Generally that would be the role of some form of advertising.
It does not have to be in the form of an interruption though.

Going back to Clemons' statement that 'Consumers do not want to view advertising' I would argue that this is potentially a bit bold.
Advertising that someone has chosen to view (or participate with) is then permission based. It's how that advertising is distributed that is key.

And as Uncle Bert says: doing the same thing over and over but expecting a different result - is insanity.

Friday, March 20, 2009

reasons to join



Oasis singer Liam Gallagher has launched his own line of clothing via his new company Pretty Green. Nothing particularly remarkable about that, although this kind of brand extention is more common in the hip-hop world rather than UK lad (or is it dad?) rock.

What caught my eye on the home page of the site was underneath the sign-up option was another link 'reasons to join'.

Reasons to join.

Members get to comment on Liam's blog, have their questions answered via video and of course get first dibs on the product before anyone else.

Connect with fans + Reason to Buy = Business model.

Tuesday, March 17, 2009

They say Rome wasn't built in a day, but I wasn't on that particular job.

It is probably the best book about football i've read, here's hoping the movie lives up to it.

If the trailer is anything to go by the answer looks like a yes.

The Damned United tells the story of legend Brian Clough's short but eventful spell at the helm of Leeds Utd (at the time, the most hated team in England - ouside of Leeds) in the 1970's. Starring Michael Sheen, Timothy Spall, and Jim Broadbent, the film is on release from March 27th.



There's a Facebook page with some choice Cloughie-isms and a few pictures too.

Friday, March 13, 2009

SMEBS alert: Twitter Power: How to Dominate Your Market


The latest in snake oil douche-lit for prospective twitter-spammers.
Just by the title you kinda know where this is going.

'Joel Comm is the leading social media expert to explain the fundamentals of Twitter in an easy-to-follow format.'

Never heard of him.

The foreword is written by veteran of 115 tweets, Tony Robbins

Thursday, March 12, 2009

unavoidable media!


Jeez. These media agencies and media owners (aka the axis of evil) never tire in their endless quest to INTERRUPT and ANNOY ME when I'm trying to get on with my life and FLEECE MY CLIENTS with bullshit measurement like 'millions of..' 'eyeballs' and 'impressions' etc in order that they buy into this bollocks.

'You can't go over it, you can't go under it, you can't go around it, you have to go throught it' FFS!

I honestly thought this was a joke until I witnessed it for real at Waterloo Station this morning.

Go on, chuck your money down the drain.

Mick Jones: the Rock & Roll Public Library


Just been pinged this. Mick Jones, of the Clash, BAD and latterly producer of the Libertines, is exhibiting all the 'paraphernalia of performance and marketing materials of the bands he has worked with. This archive sits alongside a parallel general collection of books, magazines, videos, ephemera, toys and games which mark out his life, times, and influences.'

The 79-82 period of the Clash featured some of the finest hats in rock'n'roll history.
This will be of particular interest...

The exhibition is titled 'Mick Jones: The Rock & Roll Public Library' and runs for a month from 18th March at Chelsea Space, part of the Chelsea College of Art and Design over in SW1.

Wednesday, March 11, 2009

anarchy in the uk

I think it was Billy Bragg, the bard of Barking, who famously noted that: if everyone who claims to have seen the Sex Pistols perform in 1976 actually had seen them, they would have needed to have sold out Wembley Stadium for 7 nights on the trot rather than a dozen or so nights in Soho strip clubs, various art colleges, the screen on islington green and a couple of pubs in Dunstable and St Albans.

So follows the story of the 60 or so souls - who braved the wilds of a drab Southwark evening on Monday to huddle in the upstairs lounge of a Borough market bar - as they witnessed the first official live tweet reading 'the garden of tweetdom' by Marcus Brown.

As the story weaves itself into the fabric of social media [mess is] lore, our grandchildren will ask us to replay the mystical night in history as we happily relive; the first airing of the full unedited SMEBS documentary, the reading of the tweets of audience members including @will_humphrey and @johndodds. The megaphone (for twitter broadcasting irony effect), ipod singing and 'ein prosit' interludes.

Where were you on that day in history?

Wednesday, March 04, 2009

not dark yet...

Had to have a wry chuckle at an article on Brand Rebublic that was pinged round the office this week.

Titled 'Personalised DM significantly more likely to succeed' the article claims
'The majority of consumers are between five and ten times more likely to respond to properly personalised marketing offers compared to [superficially personalised] communications..'

According to direct marketing agency GI Direct, 'more than 70% of UK adults take more notice of mail that is aimed specifically and accurately at them'

Apparently their research gave "hard evidence of the critical importance of targeted direct marketing...[Marketers need to] examine the level of personalisation applied in their direct marketing campaigns, in order to ensure, at the least, they are matching competitor standards, and at best exceeding the market norm in order to improve campaign responsiveness and subsequent sales."

Nice try but spectacularly missing the point - and to set mediocrity (match competitor standards) as a benchmark is mildly depressing.

Personalisation is good but without PERMISSION it means nothing. The article fails to recognise this, and this is the big problem that direct marketing - whether on or offline - is still struggling to address after all this time.

If the communication is unsolicited it is SPAM. And what's more - if it's too personalised (but still unsolicited) its CREEPY SPAM.

Why am I getting my knickers in a twist? Here's a laugh for you.

In the last month or so Ive recieved 3 mailshots, from different companies to my home address, personalised to a degree (ie my name, and they know my age) for fucking MOBILITY SCOOTERS. Yes, the things old people drive round the supermarket.



I'm (just) over 40 so according to 'demographics' and 'specific and accurate targeting' I'm on my last legs and will shorly be road-raging round Sainsbury's, presumably looking for food that can be taken with a straw.

Total fail, based on broad assumptions, flaky research and ignorant speculation all dressed up as personalisation. Zero relevance unfortunately and another waste of paper.

Looking forward to the next mailshot for false teeth, hearing aids and zimmer frames.

Tuesday, March 03, 2009

Marks and Spencer launch twitter utility innovation


UK high street giant Marks and Spencer are beta testing a 3D real-world ‘desktop’ twitter robot utility – known as ‘the tweeting chick’.

The desk robot’s revolutionary voice recognition audio nanotechnology - housed in a deceptive fluffy yellow ‘chick’ casing - allows the device, once pre-loaded with the users twitter account and pre programmed tweet-active keywords, to record and auto-post 'tweetable' nuggets from ‘real world conversations’ thus ensuring off the cuff tweet-worthy remarks are not lost into the ether.

The device is now available in public beta mode as an ‘add-on’ from the checkouts at participating M&S outlets.

In an unlikely twist, Guy Kawasaki was not available for comment at the time of going to press.

Madras Rubber Factory


This fictional album cover randomiser project is a bit of a lark. I was tagged on facebook for this project but thought it might be fun to spin over onto this blog and the related 'sphere.

To create your fictional album:

1 - Go to "wikipedia." Hit “Random Article... Read More”
or click http://en.wikipedia.org/wiki/Special:Random
The first random wikipedia article you get is the name of your band.

2 - Go to "Random quotations"
or click http://www.quotationspage.com/random.php3
The last four or five words of the very last quote of the page is the title of your first album.

3 - Go to flickr and click on “explore the last seven days”
or click http://www.flickr.com/explore/interesting/7days
Third picture, no matter what it is, will be your album cover.

4 - Use photoshop or similar to put it all together.

5 - Post it on your blog with this text in the tags 'albumcover' and also tag the friends you want to join in (also link to this post if you like, that way I can track 'em and compile - also will give me some much needed technorati juice)

I'm tagging Neil, Sam, Will, Joe, Stan, Jon and Jonathan.

Thursday, February 26, 2009

the ROI of the tiger

Pondering over the FuturelabReconsidering the Advertising Industry’ report, and in particular chapter 5 ‘Walk the Digital Talk’

The chart below represents the view of a panel of 200 CMOs, polled by Sapient, who were asked about the skills they were looking for in their agency. My initial reaction was one of ‘if only ‘twere true…’



Futurelab also speculate:
‘Digital Agencies often miss depth in communication and strategy….Many “new media” agencies outskill and outthink traditional houses on the digital front. But they often lack the broader perspective that comes with true 360°, ROI based thinking….they chase the technology rather than look at the end customer’s actual media consumption. And all think of digital campaigns rather than using digital as a platform for relationship building.'

This segues neatly onto the ROI of the tiger…

In a recent post Collaborate Marketing's James Cherkoff quotes Nick Gonzales from Inside Facebook:

‘There’s currently a metrics vacuum in the social media space and it’s being filled with traditional metrics pulled from search and display. The only problem is that these metrics don’t make sense for brand campaigns in social media.’


I would argue that it’s even worse than that, in many cases its still the largely unmeasureable traditional advertising that’s viewed as more effective despite the fact there’s not even a ‘conversion event’ ie click through.

James also addresses the ROI question with regard to social/engagement activity.
‘Compared with what?’
With that in mind, allow me to relay to you a true story.

I recently pitched a digital engagement idea which would have delivered:
- Connection with a large core group of BrandX’s most passionate advocates
- Connecting those fans with each other in the brand’s space
- Invaluable data from the above and appropriate permission to continue to engage
- 6 months of activity where the advocates create and share content
- The ability to leverage that content for SEO
- A strategy to reduce dependence on paid search over time
- Something the advocates would ‘advertise’! (ie viral by nature)
- A permanent activity based asset for the brand to reuse.
- The activity was contextual to NPD delivering a reason to buy.
- NO MEDIA SPEND (£0) (zilch) (not a fucking sausage)
- All for the same price as the MEDIA ONLY of a one month press ad across half a dozen national titles.

Whilst the idea was well received the client bought the press ad instead.
Here were those metrics, something like 68% OTS (of 5.5m) at 2.9.
That means 68% of the ‘target audience’ might ‘see’ the ad about 3 times in that month.
These numbers, of course, identify reach only and not any depth of engagement.
Head => brick wall.

With nowhere else to turn I consulted the oracle.

‘The fundamental issue is that it is very difficult to enumerate an accurate "gain from investment" when it is clear that a lot of the new marketing has an almost osmotic effect and works indirectly.
And the defence is this. If the "cost of investment" is low, as is clearly the case in much of the new marketing, then it is equally clear that only a small impact on revenues will generate an impressive ROI. ‘


The upshot is; social media and engagement activities can only be measured in the context of contribution to the overall effectiveness of all the interdependent marketing activity, surely?

The quest continues….

Footnote:
One of Cherkoff’s commenters added:
‘Do you think Nike are worried about the metrics on Nike Plus?’
Totally agree, but can I just state for the record that if I hear Nike+ rolled out one more time as a case study I will literally chew my own leg off and gouge my left eye out with a spoon.

the product is the marketing #371

Was talking to a client the other day about products that are being used in ways other than how the brand might have anticipated. my example was Landrovers - adopted by hip-hoppers in the 'hood - which in turn led to the urban SUV's we now know.
Wish i'd seen this before that conversation.


One for the ladies?
Props to BrandDNA

Wednesday, February 25, 2009

most people won't read this

If I had a pound for every time I've heard some variation this...

Most people do not have an iphone.
Most people are not online most of the time.
Most people don't use twitter.
Most people will not upload a picture/movie etc
Most people will not leave a comment.
Most people will only buy the cheapest.
Most people can't be bothered with x.
Most people are not interested in y.
Most people are not on a social network.
etc etc.

Then what follows usually includes some of these words; eyeballs, reach, mass, target audience, demographics and some generalisation 'persona' profiling.
This is the language of carpet-bombers and spammers. And it is rife.

Here's some other things about most people:

Most people don't click on banner ads.
Most people use their pvr to skip TV ads.
Most people completely ignore posters on the tube.
Most people hate spam.
Most people use their mobile phone principally to communicate with other people.
Most people think it's rude to interrupt.
Most people use the web to connect with other people interested in the same stuff as them.
Most people are literally gagging for relevance and personalisation.
Most people are not interested in you they are interested in 'me'.

MOST PEOPLE ARE FAR MORE LIKELY TO CONNECT WITH MARKETING THAT THEY HAVE CHOSEN TO PARTICIPATE WITH, THAN MARKETING THAT IS FORCED UPON THEM.


diagram from Jonathan MacDonald's 'The Communication Ideal'

spam of the week


I'm looking forward to recieving my $800,000 USD and tickets for the 2010 World Cup in SA as special guest of Prince Charles.
I can only assume this is in recognition of my twitter influence status and, of course, my post of the month in January.

Saturday, February 21, 2009

Connect with fans (CwF) + Reason to buy (RtB) = The Business Model ($$$$)

Pure gold! Techdirt's Mike Masnick on Trent Reznor of Nine Inch Nails' album release and connect with fans strategy.

Why is this important?
BECAUSE IT WORKS FOR JUST ABOUT ANY BUSINESS!

Connect With Fans (CwF) + Reason To Buy (RtB) = The Business Model ($$$$)



found this via hypebot

UPDATE:
It just gets better and better.
The ex-NIN drummer is at it for his solo project. Josh Freese story via mashable.

Thursday, February 19, 2009

Meatballs, marriage and Seth Godin – the London Session:

Popped down to the amazing Church House conference centre behind Westminster Abbey on Tuesday to hear Seth Godin talk, in a rare appearance in London.

As a nice touch the afternoon kicked off with a special ‘unplugged’ session with 50 Tribes members and an intimate Q&A with Seth before the main presentation.

Seth was on good form, delivering an almost ‘Greatest Hits’ set, covering the best bits and themes from Permission Marketing through All Marketers are Liars, Purple Cow, Tribes and big doses of Meatball Sundae, before fielding a 2 hour Q&A.

It seemed liked a mixed bag audience of die-hard Seth disciples, new converts and some others who had been dragged along by friends or colleagues to hear the gospel.

The key ‘penny drop’ moment for many of the new recruits in the audience came during the Q&A when someone asked a question around ‘What can I do in my organisation when the bulk of the people in the middle don’t ‘get it’ (in terms of new marketing, collaborative working etc) and are resistant to change’.

The answer was, of course: don’t bother with them.

Focus on finding the others who are embracing new ideas and change, work together with them, and if you can find two or three other individuals each and turn them around before long you have enough leverage to turn the mass in the middle who just want to do what everyone else is doing.

I bumped into Anjali (quel surprise!) - who has kindly summarised the day over at madebymany - and Craig from Sue Ryder Care again (we need to stop meeting like this!) plus I made a couple of new acquaintances – Helen Jerome from Wall to Wall (her company developed ‘Who Do You Think You Are' for the BBC) and had a nice chat with Marcel Baron from IBM’s innovation department.

The clip below is Seth freestyling on meatballs, marketing, marriage and dating. Shot with my Flip Ultra (Flip VRM outreach: I'd like to try the Flip mino...)


Seth Godin in London from eaon pritchard on Vimeo.

Wednesday, February 18, 2009

thought for the day....

'The difference between ordinary and extra-ordinary is that little extra'

Thanks Sam.

Tuesday, February 17, 2009

graham brown (mobileyouth) on: the next ten years

excerpt: 'we live in a network era - awash with industrial brands served by industrial agencies relying on industrial tactics using industrial metrics'



more thoughts on mobile and youth marketing - industrial vs social - on mobileyouth.

Saturday, February 14, 2009

mighty putty - learning to speak human



In the context of Learning to speak human, this made me laugh this morning.

question re: ad funded web apps a la Spotify...

Playing with Spotify, its a pretty cool service (don't know if it's the saviour of the music business yet) but i have the same question that i have for all of these ad-funded apps.

What happens when the advertisers pull out? People are ignoring the ads in Spotify the same way they are ignoring them in most other media.

Everything I read about Spotify includes something along the lines of 'the user only has to put up with an ad every 25mins..'
The ad funded model suits the users and the developer
but wheres the value for the advertiser?

Friday, February 13, 2009

Go Home Productions does Nike 'Ignite'



The audio/mix for this new Nike football spot was created by my mate Mark aka Go Home Productions.

The spot, featuring Arsenal v Man United, was first aired in Japan the other day during the Australia v Japan world cup qualifier.

Mark is a big Arsenal fan and has cleverly multi tracked himself chanting 'we've got Cesc Fabregas' into the crowd sections.

Think Tank...and the winner is - ME!


Managed to dodge the paperazzi this morning following my resounding victory in the Think Tank post of the month.

I now join Valeria, Dino, Jonathan and Charles in the Think Tank Hall of Fame.

This musing on Interdependence was the one that done it.
Thanks to everyone who voted.

And well done to Gordon, who ran a close second with the poetic I can Hear the snow, faintly falling through the universe.

Gordon and his posse were also kind enough to give me some valuable tips on punctuation and pointers on my 'eye wateringly dull' content.

Wednesday, February 11, 2009

I can read movies by Spacesick



Ohio based Artist/illustrator Spacesick has designed these fantastic book jacket adaptations of classic films in a sort of retro-futuristic style.

There's 24 in all, have a look at them on the Spacesick blog. Excellent work.

Thanks to Clarence for the tip.

Tuesday, February 10, 2009

Trust - a ten year low for business

Check out these clips from the 2009 Edelman Trust barometer survey.

Mark Earls showed one of the slides at a 'influence and social networks' workshop we attended at NESTA the other day which showed how 62% (globally) of those surveyed trust business less than they did a year ago.

Though trust is up in emerging economies (ie Asia, S America). it's significantly down in 'established' economies (ie UK, US & Europe) and particularly in the industries associated with 'affluence' - auto and banking (no surprise there, then).

Edelman are calling this the 'trust divide'. The other big shift, as we know, is that now we are - more than ever - trusting each other over any other media.

Here's one of the clips with the stats I've mentioned.


Friday, February 06, 2009

the Shopkeeper's tweet readings

I've not been able to write anything here this week after watching Marcus's tweet reading series. I'm kinda thinking he has said the final words on social media/blogging etc. There is nowhere else to go after this. It's over...


Official Tweet Reading IV: Reading Valeria Maltoni from Marcus Brown on Vimeo.