Showing posts with label technology. Show all posts
Showing posts with label technology. Show all posts

Thursday, April 30, 2015

the reduce speed dial

Behaviour change 101 (actually there are a few but this is one) decrees that in order to move a behaviour then making adjustments to the environment in which the behaviour occurs can be very effective.

Many of your classic nudges play to this principle.

The fly 'target' in urinals, mirrors at the cake counter and the eyes on the poster behind the honesty box, for example.

Road safety is one of those areas that is problematic for those trying to modify behaviour.
Speeding in particular.

Often Road Safety communications have relied on fear campaigns or threats of death or punishment, however theres a mountain of research that suggests framing any kind of road use as ‘death-defying’ is not always a good strategy, it can be (unconsciously) received as a kind of challenge, especially among males.

It's also apparent that the only real feedback we get about our behaviour on the road is when its too late. We get a speeding ticket, nearly hit another road user or get hit ourselves.

Even armed with this knowledge, making environmental interventions is hard.

There have been some decent attempts, including the rightly celebrated Swedish Speed Camera Lottery - developed for Volkwagen's Fun Theory project - whereby drivers driving at or below the speed limit were photograhed and entered into a prize lottery, the winnings were funded came from the fines collected from fining the drivers who did not obey the speed limit.

What this also demonstrated is that, government and policy can only go so far.

On the road interventions can only go so far.

The real environment where the behaviour occurs is inside the vehicle (and inside the drivers head).

All of which is why we were attracted to the experiment in the video below. conducted for Volkswagen in New Zealand by our friends at Colenso BBDO.



They say
'In a controlled experiment, we created a replacement panel for the speedo in four Volkswagen Golfs. They followed all of the clarity and safety restrictions of a standard speedo, but the dial was personally hand written by a loved one. This simple, personal mnemonic aims to remind drivers what they have to live for at the exact moment they consider speeding.'

Aside from the techno wizardry the interesting thing for us was the core behavioural nugget at the centre of the idea.

It's been well documented that priming people with pictures of babies faces can trigger caring and nurturing behaviour in adults.

So by inserting primes of the drivers own children right into the operations of the vehicle - amplifying the prime with a bit of extra Darwinian urgency - makes it extra cool.

For agency types it's also encouraging to see our peers being properly engaged by their clients in using their smarts to experiment around problems other than those that are exclusively communications or advertising.

By all accounts the experiment nudged the subjects driving behaviour in this instance - albeit a small sample - but its easy to imagine subsequent iterations or adaptations using this kind of thinking to address other problem driving behaviour (drink driving? spacial awareness re: cyclists etc are just two) and from a commercial standpoint then as a mass customisation tool, on a global level, then it's easy to see the possibilities.

File under: designing environments to optimise the chances of a desirable behaviour, through (at least partly) unconscious influence.

Wednesday, August 28, 2013

the remarkable dispen pak (or how I learned to stop worrying and re-invent the wheel)

This is a guest post from Gil Fewster, Technology head at Sputnik and co-founder of Lab116 our Behaviour, Technology and Experience division.

The post originally appeared at Lab116.com.



Whenever somebody trots out that tired cliché about not wanting to re-invent the wheel, I think about that marvel of understated yet brilliant design, the Dispen Pak.

The Dispen Pak is a refinement of  disposable single-serve sauce packets. You may not know the name, but I guarantee you've used them countless times.

They are those twin-chambered packets of sauce or marmalade that let you squeeze just the right amount of condiment over your meal of choice using (and here's the miracle) just one hand to crack open the seal and dispense that tasty goodness.

Just one hand? Hell, all it really takes is two fingers.

The thing is, people who talk about wheel re-invention are implicitly talking about redundancy; they're inferring it's a wasteful expenditure of thought and energy to make a thing that has already been made.

They do this to champion the new, to falsely align innovation with novelty. But what of refinement?

Improvement? Assessing something with a critical eye, identifying its limitations or problems, and then fixing them?  Genuine newness is a rare thing. Perhaps the only thing rarer is perfection; an object, tool or process which cannot be improved.

The old sauce packs with their single chamber and foil lids you tear off were fine, but Dispen Pak adds two of key improvements.

  1. Functional convenience
    You can use it one-handed while you hold your meat pie in the other.


  2. Precision
    Squeeze a little, get a few dribbles of sauce. Squeeze a lot, get a big blob.


These are not trivial enhancements, they are answers to specific problems. One-handed operation may seem unimportant until you consider the context, namely that these packets are often used by people eating takeaway food on the go.

The functional requirements for dispensing sauce at the dinner table are considerably altered when one hand is busy holding your pie of choice and you're walking along a crowded footpath.

The Dispen pak is a design enhancement which can only be arrived at by thinking, really deeply, about not just the object's main function but the context in which that function is used.

It is an answer to a question so subtle that most people never thought to ask it, and yet now that the answer is in front of our eyes it seems impossible to imagine we didn't always squeeze out our sauce that way.

Never be afraid to look around, see what sits right in front of you, and challenge yourself to make it better. And beware of people who tell you they don't want to re-invent the wheel.

Most likely, they just lack the critical vision the see  how much better our wheels could be.

Friday, November 09, 2012

look out honey, 'cause I'm using technology

I'm due to be doing a talk at the iStrategy event in Melbourne in a couple of weeks.

While compiling my presentation I've found an old segment I've used a couple of times about how the technology always comes first, then creative people mess around with it and something different and interesting comes out the other end.

I've been pulled up by certain marketing digerati in the past for expressing the view that the tools and tech of the day are not so important, it's how we go about understanding the behaviours that the tech enables or makes easier or whatever that we should be most interested in.

I stand by that view, but should explain that the it's not simply that the tools don't matter per se, but the tools themselves are transient, they come and go. What really matters is using the available technology do do something that really matters.

That's flimsy segue into Iggy, but it's Friday..



Look out honey, 'cause I'm using technology...
Ain't got time to make no apology.


Friday, November 18, 2011

ray kurzweil

Ray Kurzweil was in town for the Creative Innovation Conference, I never made it along but was prodded to check his TED talk on the 'singularity' etc from 2005.

He's normally careful to predict far enough into the future to not be called out. There's a couple of tips here for 2010 that haven't quite made it but it's all entertaining and feasible none the less.

Wednesday, October 05, 2011

the technology always comes first



In the film PressPausePlay, Bill Drummond makes this point.

Electric guitars were invented because the guitar in 30's Big Band's stuggled to be heard above the brass.

Then along came Hendrix et al, abusing the technology and inventing a genre.

Artists never invented oil paint, or the movie camera but they saw the opportunity the technology gave for creativity.

Here's a couple more for you.

The story goes that the distorted 'metal' guitar sound was invented by Dave Davies of the Kinks who slashed the speaker on his Vox AC30, then launched into the riff of You Really Got Me.

The Roland TB-303 Bass Line synth was originally made as a cheap tool for guitarists who wanted bass accompaniment while honing their licks. Only about 10,000 units were produced between 1981-84 and on the surface it looked like a flop product.

Then in the later end of the 1980s bootstrapped DJs and producers in Chicago found that by overdriving and cranking the box you could achieve the squelchy acid bass sound, and a new genre was born.

Again, all examples of the technology coming first, then artists messing with it - in ways the engineers never imagined - and new artforms coming out the other end.

The lesson here for our advertising creatives is clear. To always be embracing new technologies for their possibilities for creativity.

In particular, the possibilities afforded by mobile, are almost infinite.

For a simple start, mobile can replicate all previous mass media, and then some, particularly with the emergence of Augmented Reality platforms like Layar .

If I was a young creative type out to make my mark today, this is where I would be looking to demonstrate my creativity.

This is the technology I would be abusing, f*cking with, overdriving, cranking and generally poking the box. The tech comes along first then the artist messes with it and creates something new and unexpected.

That's my tip for the day, kids.

Tuesday, August 30, 2011

william gibson



I must admit to feeling some relief upon hearing this nugget from the Godfather of Cyberpunk, William Gibson.

'I'm anything but an early adopter...in fact i've never been that interested in computers. I don't watch them i watch how people behave around them.'

It's all about the people, people.

Finders fee: Niko Herzeg
Photo credit: Frederick Poirot
Info: William Gibson Wikipedia page

Tuesday, January 12, 2010

the road to hokusai's waterfall

Is this the near future of mobile communications?
Japanese mobile voice, data and multimedia services NTT DOCOMO have produced this vid, The Road to Hokusai's Waterfall, taking a peek into the technology of the next ten years or so.
Some things, like e-paper and quasi-AR, are already here or here-abouts.

'a future in which people of all ages can enjoy richer, safer, and more convenient communications lifestyles than ever before...people-friendly technology that will help to bring us all closer together'



via japantrends.com

Monday, September 21, 2009

google street view : japan



Loving this animation from Google Japan, which describes how they collect the data for Street View.

Finders fee BrandDNA

Tuesday, August 12, 2008

the boat goes mobile


You may have noticed the 'mobile' button over there on the right sidebar.
Yes, this blog is now fully mobile, coutesy of mofuse
So to get 'the boat' on the move simply point your phone's browser to http://theboat.mofuse.mobi/

Tuesday, January 08, 2008

The matter in hand.



Props to Jamie C who has alerted us to this anti drink driving initiative from Saatchi & Saatchi in Frankfurt.

The Piss-Screen.

In these driving games - placed in the urinals of bars, clubs - players control the cars using their pee via pressure-sensitive inlay set within urinals. A social utility if I'm not mistaken.

It's unconfirmed whether Wii technology is involved.

Made me remember a bar back in Aberdeen in the early 90's. Behind plexi glass urinals were mini tv screens with footage of Glasgow Rangers footballers on constant rotation. Thus encouraging you to drink more just to have the (possibly - and slightly worryingly - homo-erotic) pleasure of pissing on Mark Hateleys face.
Sadly no pic available.

Thursday, December 13, 2007

i want one of these...

Can't think what to send me for Christmas?
Vox have brought out these nifty little pocket size headphone guitar amps, the amPlug. In 3 flavours, Classic Rock, Metal, and for traditionalists (like me) the classic AC30. You can also plug in your ipod and jam along. Back in the day - in my first band - all four of us used to plug into one AC30 and make some racket.
Anyway these little fellas are about 30 nicker a pop. Just add Rickenbacker and it's perfect for the axeman or axewoman in your life. More info over here.
Disclosure: Vox are not a client but it would be great if they were..

Wednesday, December 05, 2007

webby 5's

I was fortunate enough to be invited to launch of nominations for the 12th annual Webby Awards hosted by Poke London at the ICA last night. As well as the mingling and quaffing of Russian beer Poke had invited a selection of pioneering web types to present.

As if to confirm that none shall escape the Attention Crash the presenters could use just five images and five sentences in five minutes. (Influenced by last years award ceremony where winners were limited to acceptance speeches of only five words. One of the funniest examples was some fella who's speech went 'thanks mom...whoever you are')

Some pulled it off better than others, Matt Hanson from aswarmofangels on his co-creation movie project and the Webbys own David-Michel Davies (if only for reminding us of all your base - cue much dewey eyed-ness) got full marks.

Didn't stay for the debauchery sesh after the talks, couldn't handle that on a school night, but did get a chance to briefly chat to Flash guru Niqui Merret and similarly Brighton based designers Ribot.

Friday, October 26, 2007

mediacamp



It’s now Thursday so its taken me nearly a week to get it together to report on MediaCampBucks last weekend. Around 60 bods gatherered to debate Second Life, podcasting, creative commons, the future of tv and general geekery with an educational bent.

I hosted a discussion on interactive tv advertising, au naturellement. So often viewed as the poor relation of new media, I think I helped open a few eyes - to it’s possibilities as a word-of-mouth platform, conversation and permission asset tool - judging by some of the feedback I got afterwards.

Of course it was not long before the conversation turned to the possibility of ‘TV as an open content platform’. bringing more diverse programming to your tv ,with the majority not coming from the traditional broadcasters (spelling doom cable and satellite providers and paydirt for technology and telco IPTV?).

Like BT Vision (ahem).

To be fair I’m not convinced that TV is going to be dead anytime soon. What we are seeing is an increased number of options/screens where we choose to watch TV, that’s online, timeshifted regular tv, mobile devices, Xbox etc - although anyone who’s tried to use the BBCi player or Joost etc will know that’s its far from the finished article, so there’s lots of fun ahead.

The existing Cable and satellite providers have a head start as they already provide the infrastructure to get the tv and broadband into the home. Lets forget about the Long tail for a second, at the end of the day viewers will take the road that’s easiest. TV is a mass medium, for most of us dicking about with umpteen stbs and streaming in from here and there is just too much hassle for the 2 hours of tv a day we want.

If they can figure out how to get the following to the viewers, the cable and satellite providers will be laughing:

1- the content we want, when we want it (ie on demand)
2- the ability to time shift the schedule (for all) – live events, 24hr news etc
3- the ability to Search and pull content from wherever it is?
4- the ability to share and recommend?

That would do for me. Who’s going to pay? If it’s a top notch service, I will pay a subscription and advertisers will pay to get their messages into the correct living rooms based on some sort of behavioural tracking or something. And it’s all interactive.

It’s channel brands that have the most to worry about, in a time shifted, on demand environment who cares who’s bringing you ‘Everybody Loves Raymond’. Is it Paramount or Channel4? Not bothered, just get me it.

Enough about tv, and like the fella once said, I never make predictions, particularly about the future.

Highlight of the day for me, and a few others I think, was Sam Ismail’s presentation on how he and fellow adlad, Anton, took liberties with Saatchi & Saatchi with a couple audacious attention grabbing scams.

I wont go into the detail, The the stories are here and here.

Suffice to say they got themselves noticed by not being afraid to ruffle the feathers of the establishment.

Sam’s presentation was themed around job hunting for grads looking to break into advertising but ended up being about using new media as a personal branding tool. He summed up by saying the ultimate goal was; when his cv landed on the desk of the hiring person in the ad agency – they would already know who he was. Word.

I don’t think he’s going to have too many problems getting hired when the time comes.

Finally, thanks to organiser and Second Life guru, Chris Hambly for pulling the day together, and some linkage for Jason Jarrett, ‘veteran’ of podcasting and the man with the golden tonsils. I often listen to his abuddhistpodcast on my way home on the train. To be fair I have no idea what he’s on about half the time but he has a fantastic calming talking voice – It was nice to meet at last. Likewise Twitter buddy and Social media guru, Lloyd Davis.

Some new connections too, Brett Porter from the musicians collaborative thingy oomix and Melinda Seckington aka miss geeky , who is reporting on various similar days across Europe.

Another interesting guy who I never got a chance to catch up with properly was Microsoft tech blogger , Steve Lamb. Maybe he’ll see this.

Thats it, I need to get off to the creative geeks meet up tonight in Soho.

Tuesday, September 25, 2007

Packing Up The Big Top from Modern Marketing

Another great article from James Cherkoff on his Modern Marketing page, musing on a wisdom of crowds theme.

When people want to know about something they go online and see what everyone else thinks. They don't rush to the corporate website to check out what gems the guys in marketing have come up with. Or to see if the new jingle is going to pique their aspirations. They jump in the bazaar. Trip Advisor. Amazon. Blogs....These days the problem isn't a lack of helpful opinion or market intelligence.

Read the comments as well as there's some great stuff in there.

Wednesday, September 19, 2007

the revolution will be televised?

Heard Alex Cameron from Digital TX giving it the big one last night at Chinwags TV on the Web thing. I’ve been a bit of a fan since his glorious, if slightly flawed, Hendrix inspired rant at BT Vision’s iptv-lite last year.

Difficult times for network tv for a while, of course.

So heres the thing as I understand it.
Old style network tv existed mainly through advertiser funding. Digital and cable exploded as the first wave of fragmentation, advertisers don’t get the eyeballs they need for the critical mass so ad spending gets similarly fragmented. Less revenue means less new programming gets commissioned/made/bought and we get cheaply produced reality shows etc. More viewers switch off, advertisers get twitchy, programming gets worse etc etc – downward spiral.
Next wave of fragmentation, web delivered content, extends the long tail even further, mass media advertising becomes even less effective, media spending diverts even more to digital and interactive, more viewers desert tv.
In fact the tv content gets so poor that consumers end up making ther own instead.

What now?

In the Q&A Project Kangaroo was mentioned. As far as I can glean this is an idea around consolidation of all the media players and on-demand services. from the major UK broadcasters. The BBC is working with ITV, Channel 4 and the service will be built on the same P2P basis as the iPlayer, and later as a digital TV service. Can’t get my head round this working against the Long Tail distribution though? Dunno.

At the end of the day, we the viewers want great content, movies, live sport etc, same as ever, but don’t necessarily want to pay for it. Whether the broadcasters like it or not this is the model going forward so that’s what needs to be figured out.

But who is going to pay for it? The advertiser funded model is not really sustainable is it?

One heckler correctly noted that the future may be in a return to a sponsorship model from the old days of soaps (I’d forgotten that The name soap opera stems from the original serials broadcast on radio that had washing powder brands as sponsors)

Maybe, but perhaps a more evolved sponsorship model where the brand as sponsor is integral to the content. Theres a movie precedent of course with product placement – FedEx famously supplied all the transportation facilities for production of the movie Cast Away in which they were heavily featured (although no dirty cash changed hands)
I keep coming back to Where are the Jones’s partnership idea. Production co and community co-created, corporate sponsored (Ford) and Long tail distributed. (Though I’m not 100% sure the sponsor is integral to the content, keep me right here Dave!)
Brands as providers kind of thing.

As an aside, what does stuff like X Factor and those awful Lloyd-Webber find a star things mean? It's a kind of stealth product placement. The ’entertainment’ is the deconstructed production process of the one hit wonder fodder or whatever.
Although this has being around since The Monkees – but at least they had a few good tunes.

UPDATE
more perspective on the Chinwag Web TV take-over
Fiona Blamey
Rags Rupta
Broadstuff

Tuesday, September 18, 2007

Electric Business


I spent Monday evening having a conversation with a group of small creative business owners - from the Surrey/Hampshire area - in Guildford.

Many thanks to Kate from the Farnham Electric Business Club for asking me to fill in.

I was asked to give a short presentation and kick off a discussion and braindump to see if we could collectively come up with some ideas and tactics around the theme of 'Know your Product'.
In retrospect I think I tried to squeeze a bit too much content into the presentation as I had to whizz through to allow enough time for the dialogue piece, and despite leaving my notes in the cab I just about managed to wing it.

My presentation was loosely themed around the value of conversation and connection strategies for small businesses with low or no budget for marketing.
I started off with a sort of case study of a piece of work we did at Weapon7 for the launch of Xbox360 which went viral via the Xbox fan forums. Using a fraction of the media budget it created a disproportionate buzz compared the more expensive media and showed how getting the early adopters and influencers talking can accelerate the spread of an idea.

I introduced gapingvoid's Stormhoek blogger outreach from 2005 and neatly segued in the launch of the Blue Monster label (how cool to be featuring it on day of launch) to demonstrate the influence of social media and show the value of unlikely partnerships, and followed that up with a look at Go Home Productions - how garden shed remixer's cgc ends up on MTV and remixes for David Bowie.

The homework for the group was to connect to me, join the conversation, start experimenting with new tools/tactics outside of traditional marketing and look into the kind of innovations that can develop the talkability of their product or service.

I also promised some recommended reading to get some thinking going, I'm going to list a couple of things here for those who have done the homework and looked me up.

BOOK - Seth Godin's Purple Cow , when I first read this about 3 years ago all sorts of lightbulbs started going off in my head.

PODCAST - to get enthused about all things new media you could do worse than Six Pixels

BLOG - Any of the links on my sidebar will lead you off to many more links.

And in the spirit of link-love heres the people who left me their cards at the end.

Claire Harrison, Fine Artist
Designer, Nick Cannons
Another designer, Andrew Cross
The Boiler Room, Guildford music and arts venue.

Whats the pic all about? On my way to work I usually buy a coffee off Mr Coffee, a van parked on the courtyard ouside new Spitalfields market. Despite having Starbucks, Costa and numerous other established coffee chains around them, Mr Coffee has a long line every morning. Instead of the usual boring loyalty stamp cards you get a free pair of pants with every 20 coffee's. Or if you just ask they will give you a pair anyway.

Tuesday, September 04, 2007

Go Home Productions retrospective


Arguably one of the finest exponents of the art of mash-up/bootleg/bastard pop - Go Home Productions - has released a 20 track retrospective 'cd' compiliation this week. "This Was Pop (2002-2007)" A 5 year bootleg retrospective.
GHP has delivered some of the most celebrated examples of the mash-up genre over the last few years including the Madonna/SexPistols fusion 'Ray of Gob' and 'Rapture Riders', the Blondie/Doors hybrid.

The mash-up phenomenon exploded around 2001/2 as bedroom mixers, enabled by the democratisation of music production allowed by software such as Acid, Ableton and later garageband fused acapella tracks with the instrumental tracks of other records to create new 'remixes’. 'Stroke of Genius' was probably the biggest of the time and that spawned an MTV slot with the video mash-ups to compliment the tracks and Mash-up club nights like ‘Bastard’.

GHP’s retrospective is a pretty decent introduction if anyone’s missed out.

GHP is also a pretty interesting case study in a couple of the basic ideas of the new marketing.

I'm thinking about, the power of free, permission and the product is the marketing.
By giving away the tracks for free via his website and mash-up community blogs like GYBO and Boomselection (early example of the long tail of distribution..?) GHP has build a fanbase and mailing list, with permission to contact the list when there’s new tracks uploaded.
With this comes reputation and with that comes dj bookings, ‘legit’ remix work etc.
From fiddling in the shed to official remixes for Bob Dylan and David Bowie is quite a ride.

Of course, it helps that his work is shit-hot. As an art form that is by nature ‘user-generated’ there are thousands of wannabe mash-up artists making pretty average at best, shoddy at worst mixes, but GHP’s ‘Purple Cow’ is the vast musical knowledge from years of fandom which allows him to introduce the little extra elements into his tracks that the less detail focussed would miss. In ‘Rock in Black’ - the Queen and AC-DC blend – the little addition of Freddie’s ‘..get on your bikes and ride’ line is that knowing final piece of polishing that gives it the extra 5% .

Anyway, the tracks are here.

Friday, August 17, 2007

its a big-ass table