The jury here is still out on the new aesthetic, I've not heard a decent enough argument that there is anything of any real cultural significance emerging beyond a kind of stylistic arch-ness and wilful contrary-ness.
The whole tension between humans and machines schtick was pretty much done to the n-th degree by Kraftwerk in the 70's.
Having said that it's been a while since any kind of art 'movement' has been driven by such a intense anti-nostalgia kick so I'm still open to see what develops.
NOTE: What do I know? I'm still trying to get my head around the relational aesthetics thing that DB introduced me to some 4 or 5 years ago.
'Relational aesthetics takes as its subject the entirety of life as it is lived, or the dynamic social environment, rather than attempting mimetic representation of object removed from daily life...'
And I'm pretty sure that Weavrs is mixed up this this too.
Anyway, I'm not sure which bucket this falls into but the Scotland Yard 'wanted' app called Facewatch ID, which invites people to view and share CCTV images of petty crime suspects in their area by inputting their postcode on their smartphone or iPad struck me a being something.
It's a peculiar 'gameification' of neighbourhood watch. Spot a suspect, press the face and type in a name. Only those wanted for minor crimes such as shoplifting or anti-social behaviour are featured, it's amateur hour, or like the local, mobile and (anti) social multi-screen version of Britain's Got ASBO Talent.
'The police are seeking to identify the following individuals in respect of ongoing investigations. The individuals pictured are being sought as both persons of interest and witnesses to crimes. No inference should be drawn that any person pictured is wanted by the police for criminal activity. Facewatch Limited has been provided with the images by the police forces identified with the images and is undertaking this service on behalf of such forces.'
Of course there's always been the magnetic attraction between art and the criminal underworld. This is perhaps just our karaoke culture version.