Thursday, October 17, 2013

There's more to life than books, you know. But not much more.



Has Penguin Classics 'chucked 67 years of editorial rigour and learning out of the corporate window and kowtow to the whims of a petulant pop icon' or is it that 'a single, fixed idea no longer suffices in the modern business'.

My sense is that the latter is closer to correct.

While the release of Morrissey's 'Autobiography' on the Penguin Classic label appears to have offended the sensibilities of certain elements of the literati one can't help wondering if this is a splendid demonstration of a kind of arch detournement from the Mozfather and further fuel to the notion that the quest for, or perhaps preservation of authenticity is but status-seeking/maintaining.

Presumably, for those disgruntled authenticateurs Morrissey is less authentic than Linton Kwesi Johnson, who collected poems have also been published via the Classic moniker.

But for Morrissey it's something of a marketing masterstroke.

Talk about salient, noticeable and refreshing existing memory structures.

Of course his book had to come out on the same 'label' as Wilde et al.
The Penguin Classic in hand or in back pocket is as distinctive a Mozzer brand asset as the hearing aid or gladioli.

And Penguin its growing their brand, attracting those new/lighter buyers again, for whom this tome will partner that other Penguin Classic - the copy of The Picture of Dorian Gray - that they already own.

Wednesday, October 16, 2013

inattentional blindness and a plug for @gapjumpers

In their book The Invisible Gorilla, titled after the now famous Gorilla experiment in inattentional blindness (vid below if you're one of the few who have never seen it), authors Christopher Chabris and Daniel Simons make a point about how experts often miss information that novices will pick up.

In their examples, experienced pilots can often be less likely to notice an unexpected plane on a runway than new pilots who have only landed a plane a few times. Similarly, experienced doctors can sometimes find it harder to diagnose a rare condition than a trainee doctor or recent graduate.

This is because the more experience one has in any given situation, the more one sees similar conditions over and over again.
Therefore one becomes blind (to a degree) to outliers, extremely infrequent occurrences and randomness.

Over time, we (humans) have developed a number of ways of managing choices more easily.
Most commonly we'll raid our existing stocks of knowledge and beliefs in order to manage new choice situations.

If previous similar decisions have involved certain biases and/or beliefs then those pre-existing behaviours will be likely to exert disproportionate influence on future situations.

That's a long way round to this pimp for Gapjumpers.

GapJumpers is a platform that connects experts that need help solving business problems and young people, so that young people can earn recommendations for their skills.

Why?

Being recommended, by an industry expert or someone at a company is the fastest way to getting a job, but young people often lack the network and work experience to get recommended. So it helps them gain that credibility.

And from this advertising planner's point of view, the fact of being very experienced means sometimes that one does see similar conditions over and over again, sometimes one does find it harder to uncover fresh insights, or new research than a fresh aspiring planner who has had less time to develop certain biases.

But I'm in good company with these foibles as people from W+K, Ogilvy Sau Paulo, Google, TBWA, ZeusJones have posted challenges and had young planners contribute insights and research.

The Gapjumpers people are, of course, friends of this blog. Have a look at www.gapjumpers.me and see if there's a problem you are grappling with that some fresh brainpower might help to solve.




Tuesday, October 15, 2013

pablo picasso was never called an asshole (or the futility of authenticity part 2)

When a mysterious and previously unlisted Picasso painting fell into the hands of one of his most serious (bourgoise) collectors, the lucky enthusiast took it to the artist himslf in order that Pablo could authenticate the piece in person.

Unfortunately, Picasso took one look at the painting and declared it an imposter.

Not to be deterred, the hapless collector purchased another piece and, again, took this to the artist for authentication.

Sadly, Picasso again declared that the piece was a fake.

In a last ditch attempt our collecter commissioned a bespoke work, and then proceeded to watch over Picasso himself as he made the painting, in order that he could be sure of its authenticity, by witnessing its creation with his own eyes.

Upon completion, Picasso yet again declared the new painting to be a fake.

The puzzled collector protested 'But I saw you paint this one with my own eyes?'.

To which the deadpan Pablo replied 'I can paint a fake Picasso better than anyone'.



the futility of authenticity

We've recently been reading Erving Goffman's The Presentation of Self in Everyday Life.

Goffman is considered  to be perhaps the most influential sociologist of recent times.

The Presentation of Self in Everyday Life - first published in 1959 -provides a detailed analysis of process and meaning in mundane interaction.

By mundane interaction Goffman means; ordinary face-to-face interactions among people in various social situations.

Goffman's method is the 'dramaturgical approach'.

He is principally concerned with the different modes of 'presentation' employed by people and therefore the meaning of each in its social context.

In essence, all human interactions are 'performance', shaped by by environment, audience, and constructed in order to provide others with 'impressions' that are consonant with the desired goals of the actor.

According to Goffman, one's social identity is a series of 'fronts'.

There is no 'authentic' 'self'.

All the world is a stage

Human social interactions are all performances conducted when on-stage, in social situations. Solitary moments - the closest thing to notions of 'self-ness' - being the equivalent of 'back-stage' pre and post performance.

What hope then for brands in finding an 'authentic voice' or being 'authentic'?
Or the much asserted millennial consumer quest for authenticity?

People are aways competing for status. Products and brands are signifiers of that status.

So, even being anti-consumption is still conspicuous, 'authenticity' is simply the new 'cool'
.
The fatal flaw is that even when one claims remove's oneself from the competition for status in the mainstream you are simply joining the competition for status in a different sphere.

'What? You mean you still actually BUY products? We only share and freecycle'

Sadly, the call for authentic brands, authentic voices is ultimately futile.

All social interaction is intrinsically inauthentic and performance.
In fact the performance itself is the only authenticity.

Tuesday, October 08, 2013

masterclass in the construction of situations



According to Debord et al a constructed situation is a ‘moment of life concretely and deliberately constructed by the collective organization of a unitary ambiance and game of events.’

A situation is designed to be lived by its participants.
It’s not just ambience, it’s an integrated ensemble of behaviour.
Situations require:

1. A temporary director or orchestrator.
The orchestrator is responsible for coordinating the basic elements necessary in the construction of the situation, and for conducting certain interventions.

2. Direct agents
The direct agents living the situation, who have taken part in creating the collective project and worked on the practical composition of the ambience.

3. Passive spectators
Passive spectators who have not participated in the constructive work, BUT whom can/should be forced into action.

In other words, a denotative lesson in how to do 21st century advertising.

1. Do something first
2. Make it surprising (funny, terrifying etc add your visceral emotion of choice)
3. Then advertise what you have done.

Do the above with skill and creativity, throw in a bit of luck and you might have a hit.
With circa 1million views in under 24 hours this one looks like a hit.

more science plus creativity #littlelesslittlemore



We know that in conditions of some uncertainty (in this case the modification of behaviour or adoption of new-ish behaviours), biases in judgement, and in particular those influenced by the availablity too much or too little information, can lead to less than desirable outcomes.

So, while the execution here, in the current campaign for Blackmore's, seems straight-forward and simple there's a real depth of understanding that makes it so sweet.

Habits are important.
'Little Less Little More' is all about describing how easy to establish new, better habits.
Because habits are more easily established than we believe. Sometimes with only one or two goes.

People are motivated to ‘do the right thing’.
Again, make it easy and fun to adopt and DO the desired behaviour and it will be more likely to happen. You will never think yerself fitter.

We are loss-averse, so the dislike of losses almost always outweighs the liking of gains.
This is compounded by the Endowment effect - whereby people disproportionately value what’s already theirs, so the appearance of taking away perceived 'benefits' or punishing behaviours often causes resistance and can be counter effective. Little less of this is balanced by a little more of that. And most of the little more 'thats' are ones that you actually like.

Most importantly, people need to feel involved and effective to make a changes.
This one is straight out of the psychology of persuasion.
The commitment and consistency effect.
People want to be consistent with what they have previously said or done, so ssk for small commitments first then bigger ones Even better, get them in writing.

The web extension of the campaign does exactly this.



The line goes 'At Blackmores we’re encouraging you to make small positive changes that are achievable and sustainable Choose what you want to do a little LESS and a little MORE of and make your commitment today.'

Finally, the behaviour of other people matters.
Let's have a look at what everyone else is doing then.



Like we said the other day...science AND creativity. What a concept.

aural sculpture

So I made my Beancast debut yesterday with Joseph Jaffe, Jay Baer, Kate Berg and host Bob Knorpp.

Topics discussed were:

RTM And Being Nimble,
3D Printing,
Context vs. Tactics For Wearables,
Where To Put That Content,
and Consumers Avoiding Brands On Social.

Jump over to BeanCast HQ for a listen or better still subscribe.

Thanks again to Bob for having me on. Hopefully we'll do it again sometime.

Friday, October 04, 2013

fluff

I don't know how it took me so long to get round to reading Good Strategy/Bad Strategy by Richard Rumelt.

Aside from being choc full of wisdom it's a hoot.

Rumelt describes one of the hallmarks of Bad Strategy as 'Fluff'.

'Fluff is superficial restatement of the obvious combined with a generous sprinkling of buzzwords.

Fluff masquerades as expertise, thought, and analysis. As a simple example of fluff in strategy work, here is a quote from a major retail bank’s internal strategy memoranda: “Our fundamental strategy is one of customer-centric intermediation.”

The Sunday word “intermediation” means that the company accepts deposits and then lends them to others.

In other words, it is a bank. The buzz phrase “customer-centric” could mean that the bank competes by offering depositors and lenders better terms or better service.

But an examination of its policies and products does not reveal any distinction in this regard. The phrase “customer-centric intermediation” is pure fluff.

Pull off the fluffy covering and you have the superficial statement “Our bank’s fundamental strategy is being a bank.”


Thursday, October 03, 2013

science AND creativity. what a concept.



It's interesting to unpack the latest iteration of the Coca-Cola Happiness campaign - this execution appears to be initially out of Amsterdam - from an evidence based marketing standpoint.

If you've followed this blog at all in the last couple of years there's been something of an about turn over time as the point-of-view has shifted from a digital-centric view to one much more influenced by investigations into the science of advertising and how that combines with things like behavioural economics and bits of other social sciences.

One of the key influences in this turn about has been getting to grips somewhat with some marketing science principles outlined by Dr Byron Sharp, Professor of Marketing Science at the University of South Australia and Director at Ehrenberg-Bass Institute for Marketing Science, in his book How Brands Grow.

Dr Sharp debunks a lot of conventional marketing theory and proposes a framework for building brands based on what works in scientific practice.

In a nutshell How Brands Grow identifies that real challenge of marketing is principally about availability – mental availablity and physical availability.

The splendid Coca-Cola activation appears to be an almost text-book example of this practice, in practice.

In the clip you'll see the Coca-Cola truck take-over a grey urban space by creating a pop-up park resplendent with trees, grass and a Coke vending machine. Passers-by are invited to kick off off their shoes and receive a free coke.

The activation seems to match HBG's seven rules for brand growth to the letter.

1. Continuously reach all buyers of the category – avoid being silent.
While always-on is a social media buzzword de jour, real always-on means being constantly being available.
The Happiness campaign (of which this is an iteration) never stops, and hasn't stopped.

2. Ensure the brand is easy to buy (communicate how the brand fits with the users life).
This iteration is entitled ‘Where Will Happiness Strike Next?'. Coke brings you happiness. This is how it fits. The emotional outcome rather than a fabled emotional 'connection'.

3. Get noticed (grab attention and focus on brand salience to prime the users mind).
Case in point. And watch your mirror neurons fizzing.
This is actually a piece of real social media, a social object. A public intervention that lets people see each other so that they can copy each other.

4. Refresh and build memory structures (respect existing associations that make the brand easy to notice and easy to buy).
The physical cue of taking of shoes and stepping on the grass is a nice little bonus hedonic boost. And you get rewarded for doing something. Attitudes follow behaviour, remember.

5. Create and use distinctive brand assets (use sensory cues to get noticed and stay top of mind).
The coke bottle shaped grass, red everywhere amongst the grey. Happy smiling people using the product. Simple.

6. Be consistent (avoid unnecessary changes, whilst keeping the brand fresh and interesting).
One could argue that coherence rather than consistency is better description but again, the brand idea remains the same as it ever was, the creativity is in finding new exciting expressions of the core idea.

7. Keep the brand is easy to buy and avoid giving excuses not to buy eg by targeting a particular group or groups.
Look at the people in the video. Theres no segmentation going on here. Happiness (ergo Coke) is for everyone.
Even the multi-ligual intro indicates this.

So what if it's semi-staged. It's advertising.

Science AND creativity. What a concept.

Wednesday, October 02, 2013

pigs on the wing

A common assumption in advertising, based on not much more than that it is simply the most common and available explanation, is that we have to change attitudes before we affect behaviour.

How many psychologists does it take to change a lightbulb?

Only one but the lightbulb has to WANT to change. kinda thing.

In reality, however, doing something first makes us feel different after.

It's attitudes that result from actions which lead to explanations which then form beliefs.

The common example being that if one wants to get motivated to get fit then the way to do that is drag yourself to the gym under duress. The doing begets the motivation.

Getting started with action is the hard part, the motivation comes after.

In fact the consistency principle in marketing psychology springs directly from this.

People want to be consistent with what they have previously said or done.

So asking for very small, easy commitments first means that those who participate will be more likely to be receptive to a bigger ask, later.

Knowing this is why we, at Boat HQ, always have a soft spot for action-oriented marketing.

Compassion in World Farming connected an interactive billboard in London to a free-range farm in Buckinghamshire.

Passers-by were invited (at 1GBP a pop) to virtually throw 'apples' at the billboard and trigger a catapult on the farm to throw real apples them to the hungry free-range pigs at the farm.

The 1GBP price point was the nice touch. Not only was there an action/commitment but those effects were reinforced by the addition of the (albeit very small) cash commitment.

Compassion in world farming from shwan hamidi on Vimeo.



good habits, bad habits

“But who are we, really?

Just a bundle of good genes and bad genes mixed with good habits and bad habits.

And since there's no gene for coolness or confidence, then being uncool and unconfident are just bad habits, which can be changed with enough guidance and will power.”


― Neil Strauss, The Game: Penetrating the Secret Society of Pickup Artists

Tuesday, September 24, 2013

midnight to stevens

To coincide with the release of the box set Sound System, Google Play has produced a 5 part documentary, Audio Ammunition, with the surviving members The Clash, each part focussing on one of the five most important albums.

The Guy Stevens produced London Calling is still up there with the greatest ever rock'n'roll sets and in part three of the doco Paul Simonen reminds us of this classic Stevens-ism.

The ability to seamlessly mix rampant ego-mania with humble deference being genius of sorts.



'There are only two Phil Spectors in the world... and I'm one of them!'

See the Open Culture blog post with all five films.

Monday, September 23, 2013

it was going to be pie in the sky

There's a old adage that goes something like 'good scientists are as happy to be proven wrong as right. What makes them happy is the proof itself'.

The same can be said for planning.

Contrary to the beliefs of some of my colleagues (ha) I'm just as happy when the application of certain principles may not work the way we intended. Whichever way it goes we've learned something.

One persuasion principle that works more often than not in advertising is the 'liking' principle.

People are generally more open to suggestion when the message comes from someone, or some brand they like, or indeed if the message is presented in a way that is likable.

We are more likely to say yes to someone who pay us compliments, or whom we feel like will co-operate with us.

One way of leveraging the principle of liking is to share something in common before we start negotiating.

Because we generally tend to like people who are similar to us.

This principle has a high strike rate but doesn't always work.

I enjoyed this example from Laurie Taylor's 'Thinking Allowed' Radio 4 sociology program.

A Labour politician had developed a winning formula when canvassing in a downtrodden area of London where many of his constituents lived in tower blocks.

The candidate would ring all the bells on a particular floor in order to get 4 or 5 voters on the landing at once, therefore giving himself more of an audience for his pitch.

This saved time and also he understood that his constituents had more propensity to be influenced by each other than in one on one situations so there was a fair chance that he could take advantage of another principle (social influence/herding). So far so good.

Our politician's opening gambit would include sharing something in common with his targets.

He would use the 'liking' principle, usually along the lines of explaining that they could trust him because he came from the same area as them.

Until one day when he rang four bells but only one old woman answered her door.

Deprived of a group audience our politician still pitched with his 'You can trust me, I'm from this area, too' opener.

To which the old woman replied from behind the slightly ajar door, with security chain still in place...

'I wouldn't trust anybody who comes from round here'.

Friday, September 20, 2013

always think you are going to win



Sir Alex: 'I am a gambler—a risk taker—and you can see that in how we played in the late stages of matches. If we were down at halftime, the message was simple: Don’t panic. Just concentrate on getting the task done.

If we were still down—say, 1–2—with 15 minutes to go, I was ready to take more risks. I was perfectly happy to lose 1–3 if it meant we’d given ourselves a good chance to draw or to win.

So in those last 15 minutes, we’d go for it. We’d put in an extra attacking player and worry less about defense. We knew that if we ended up winning 3–2, it would be a fantastic feeling. And if we lost 1–3, we’d been losing anyway.'

changing a habit with one interaction

While mindful of not confusing repeat purchase, or habit, with loyalty, a lesson for us could be; that when we are designing experiences that require customers to complete any set of tasks over time - be that filling out forms or collecting points with purchases or even simply purchasing a number of items over time - framing that task as one that is already underway – for example using some kind of indicator that progress has been even made before the customer has to start - improves the chances of a customer completing the thing we want them to do.

As an example, earlier this week I visited a new coffee shop, not my usual one, and along with my coffee I received a card that gives me a free coffee once I fill the card with stamps.

So what? Pretty standard coffee shop practice, I hear you say.

But, my card requires 10 stamps for a free coffee, and the cheeky barista gave me a jump start with two free stamps.

Now transpose this onto an imaginary situation.

Suppose for a second that I had visited said coffee shop with a friend and that friend had also received a 'loyalty' card. Except my friend doesn’t get any free stamps, but their card only requires 8 stamps instead of 10.

So both of us are looking at the same number of future transactions (8) to get a free coffee.

But, assuming we don't go for coffee together every time, who do you think is more likely to come back enough times to fill up their card?

As it goes, it’s 'me'.

I have the card that needs 10 stamps in total, but now I've already received enough stamps to get 20% of the way towards the free coffee.

And, as it also goes I have returned to the unfamiliar coffee shop this week for more stamps, and broken my usual habit without thinking about it.

In the case of data analysis it's never a good idea to infer the general from the particular.

However in human behaviour, particularly around common mundane activities, observing ones own behaviour can often be a good indicator of what others are likely to do.

So armed with that observation I subsequently found out that this situation is called ‘the endowed progress effect.’

I also uncovered that in experiments conducted around similar habitual behaviours 34% of people who got a 10-stamp card with 2 free stamps in advance went back enough times to complete the cards, compared to 19% of customers who started with the empty card requiring only 8 stamps. This is despite the fact that both sets of customers only needed 8 stamps for a free thing.

And what’s more, those given the two free stamps also tried to fill up their card faster.

By giving people just a feeling of instant progress towards a reward, they’re more likely to take the required steps to reach that reward.

By giving the two free stamps the barista has framed the activity (i.e., buying enough coffee to get a free one) as one that is already in progress.

With any new behaviour, the hardest part it getting started in the first place. so by fuzzying up the commencement takes advantage of our naturally inclination to complete tasks that we feel we are already into.

this was pop

It wasn't that long ago when the subject matter and context in pop songs had somewhat more substance and sense of enquiry.

Yes kids, this was pop, believe it or not.

'If you ever get close to a human and human behaviour be ready to get confused...

..there's definitely no logic to human behaviour but yet so irresistible...

...but, oh, to get involved in the exchange of human emotions is ever so satisfying'



Wednesday, September 18, 2013

making it easy to donate #asku

What if you could help charities raise funds without having to put your hand in your pocket for cash?

What if it was enough for you to just put your hand in your pocket for your phone?

A new app called AskU allows this very thing to happen.

The idea being that whilst hanging about waiting for trains or any other inbetween times you can fire up AskU, answer some market research type questions, and the organisation posing said questions pays AskU, and the participating charities, for your answers.

This potentially solves a big behavioural problem for the charities involved.

Many people like the idea of supporting charity but when it comes to the crunch, handing over the dosh is a huge barrier.

There are many theories around things like reward substitution that have been proven be effective.

However, AskU simply removes the barrier completely and outsources your donation using someone else's (or some company's) dollar instead.

AskU - Harness your idle time to change the world! from AskU on Vimeo.

AskU, was developed by PwC in collaboration with The Australian Charities Fund (ACF).

ACF has nominated four charities to benefit from AskU in the first phase of its growth;
Opportunity International Australia, The Smith Family, Mission Australia and Redkite.

Free on iTunes and Google Play, the app is available for all iOS and Android smartphones and tablets.

Some friends of this blog are involved so we'd appreciate it if you would give it a whirl.

Check it out asku.com.au

Tuesday, September 17, 2013

the dreams we have as children, fade away

Childhood, as a frame, will inspire and motivate because it allows us to reflect back to a time before things became so complicated.

As we get older we get conflicted. Life gets messier and nothing is as simple any more.

Like Noel Gallagher occasionally nailed it...

'When I was young, I thought I had my own key,
I knew exactly what I wanted to be,
Now I'm sure,
You've boarded up every door.'


So it may be the case that when 'memories' of childhood are evoked then our own moral standards can be temporarily rebooted, and therefore we might just act in a more prosocial manner with some of our choices.

Memory, of course, is not the correct description.
While we have a handle on the general gist of what happened the actual details are long gone and so therefore any memory of childhood is largely an idealised fiction.
This is as true when we try and recount what happened yesterday as much is something from many years ago.

You may be surprised, as I was, to know that our memories are actually reconstructed afresh every time we bring them to mind. It's nerve pathways that firing anew each time, and your mind will also fill in any gaps with made up stuff that seems plausible, but these will seem as real the original event.

It's basic human need to make sense out of events, so we create these memory illusions to give a sense of coherence or narrative. But they are illusions none the less.

Anyway, back to the topic, the latest Chipotle trailer seems to be a classic example of pulling those childhood moral compass strings, and to good effect.

Monday, September 09, 2013

uncertain smile



Mirror neurons – the things that trigger responses in our brains whether we are doing an activity ourselves or whether we simply see someone else doing the same thing. They are a fundamental mechanism for learning (socially), and leveraging these triggers is the oldest trick in the advertising book.

So, when Australian ad watchdog the Outdoor Media Association, ruled that the ad on the left featuring expressionless models was inappropriate; and therefore told skincare brand Ella Bache to relace the offending pic with smiling models instead, they have actually done Ella Bache an unlikely favour.

OMA decreed that the 'serious facial expressions increased the sexual overtones of the image', and therefore the image should change.

According to Mumbrella this morning, Ella Bache's creative director Faie Davis was not happy:

'This bizarre decision is the epitome of political correctness, indicating that as a society we are becoming very fearful of putting a foot wrong, with the result that stymies creative thinking. In the past we have produced ads approved with nude men and women hugging and kissing, yet now we have an industry self-regulator now making judgments on the different sexual mores of a smile or serious expression of models.'

Davis should be advised that the OMA ruling will probably make the ad more effective.

Replacing the neutral faces with smiling faces is a smarter strategy.

Now women looking at the ad will know how they are supposed to feel when using the product.

Not neutral. Happy.

It's no accident that every coca-cola ad in history has featured happy people consuming the product.

This is how you are supposed to feel.

Monkey see, monkey do.

Although full marks to Davis for the cute (or perhaps unintended) use of the old subjective validation trick (aka the Forer Effect) on the line 'as individual as you are'.

twymyn llinell wen

This is a terrific example of a likely system one decision, endorsed by system two without checking, and then compounded by a further ignorance-of-crowds endorsement.

(Recap: System one being the set of cognitive processes that operate automatically without the need for 'thinking' and by which the majority of our behaviours are driven, while system two drives the slower more effortful critical thinking process)

To explain this process, I've often used the bat and ball example that came to fame as part of Daniel Kahneman's Nobel prize acceptance speech.

It's probably too well known now to be of further use, but just in case...

Consider a bat and a ball for sale in your big box retail store of choice.

The bat and ball together costs one dollar and ten cents.
If the bat costs a dollar more than the ball, then how much would the ball cost?

I once used this when giving a talk to 150 analytics professionals and around 80% of the audience raised their hand for ten cents.

Of course, they were wrong.

Ten cents sounds pretty plausible, this is system one throwing up an answer, then the answer is endorsed by system two and on you go with your day.

If you still haven't worked it out yet the correct answer is five cents.

Similarly, someone in the Swansea City council roads department let their system two endorse a system one decision routinely without checking.

All official road signs in Wales are displayed in English and Welsh language, so the roads department e-mailed its in-house translation service for the Welsh version of:

'No entry for heavy goods vehicles. Residential site only'.

All simple enough so far, except the sign was manufactured and placed with the translation below that reads:

'I am not in the office at the moment. Send any work to be translated'

While this is funny enough, and can be attributed to a simple individual mistake in the first instance, one has to wonder how many sets of Swansea council eyeballs this passed by and no-one saw or questioned the error.

Most of the time the common tendency to adopt the opinions and follow the behaviors of the majority around us is perfectly sensible, it feels safer and helps to avoid conflict.

Except when it doesn't.

And most of the time, the automatic decision making of the highly skilled system one, endorsed by system two, serves us pretty well.

Except when it doesn't.

Filed also under change blindness, authority bias and 'no nurse, I said remove his spectacles!'